For this shoot of Utena Hiiragi, the focus was placed on the character's oppressive presence, which carries a hint of danger and arrogance. In terms of clothing, this outfit has a very strong sense of layering. To restore the original design's body shape, I wore a very tight waist cincher underneath, so the waistline looks quite crisp in photos, but this also directly resulted in slightly restricted breathing during shooting, requiring more attention to core engagement when posing. The outer translucent tulle cape has a wonderful floating effect when walking or when the wind blows, and also adds richness to the textures in static shots. The wig was specially trimmed with layers, matching the horn-like accessories on top of the head, bringing a sharp edge amidst the messiness.
The photographer provided wonderful surprises in camera placement design. That extreme low-angle perspective in the first photo is actually quite difficult to shoot. To make the feet look tense and impactful in front of the lens while ensuring the facial expression doesn't break, my core and legs had to keep engaging in mid-air tension. The photographer lay on the ground to find angles and repeatedly adjusted the focal length. The tip of this wand is actually very heavy; holding it with one hand while maintaining a tilted sense of line made my wrists quite sore. Gaze control is core—it shouldn't be too dull nor purely fierce; that slightly looking-down state with a touch of contempt and slight bewilderment took many attempts to capture the right feeling. We tried different muscle exertion points and tiny angles of the chin to freeze this moment that is both aggressive and graceful.
In lighting, the main color tone was chosen as purple-blue. To highlight the character's contour, top-side lighting plus rim lighting was adopted. The chains in the background are real objects, but the perspective of the spider web and those drifting starbursts are post-processed composites. While preserving the texture of the character's clothing, it increased the 2D flat visual impact. The bright yellow layout typography was also to keep the frame from feeling too dull, creating a strong contrast between cold and warm tones to collage a poster-like visual feel.
During shooting, I also paid special attention to hand movements. Whether tightly gripping the wand or hanging naturally, they needed to present a tension of being ready to cast spells at any time; even micro-movements of the fingertips required precise control. The reflections of light and shadow on the leather jacket and metal fasteners outlined the body's structure wonderfully. The collaboration with the photographer this time was extremely tacit; when communicating about lighting and movement directions, we hit it off almost immediately. During post-processing, I also intentionally retained some skin texture and clothing fabric grain, avoiding overly exaggerated skin smoothing to make the image look more realistic and powerful. In color adjustment, background clutter was weakened, completely ceding the visual center of gravity to the character herself and the geometric lines formed by the composition. From preliminary preparation to shooting and post-processing, this set of photos restored my imagination of this character's aura, especially in the shaping of perspective and light/shadow, making it a style I am very satisfied with.