Today was a shoot for Kafū Chino's Loungewear version. In this personal project called the '100 Chino Photoshoots Plan', the Loungewear look is easily the most relaxed and closest to everyday life. To cultivate that nostalgic 'summer is drawing to a close' summer vintage atmosphere, the location was specially chosen in a traditional Japanese room covered in tatami mats, flanked by an antique electric fan, a vintage CRT television, and a retro radio; even the alarm clock and glass jars on the bookshelf were steeped in an era-defining nostalgia.
Slipping into the light blue sleeveless ruffled lounge dress, putting on the long straight light-blue wig, and braiding thick twin plaits on both sides, the cross-shaped hair clips are Chino's signature hallmark. Although caring for the wig took some effort—the braids frizzing easily—once the hair accessories were secured, that obedient, quiet demeanor surfaced immediately. For the lower body, I wore a pair of thick-knit White slouch socks with a delightfully soft texture. Stepping onto the woven tatami felt genuinely authentic, offering a faint barefoot coolness that nicely offset the stuffiness of the shooting room.
Many assume shooting loungewear requires just casual wearing, but to prevent the top's ruffles from collapsing flat, I added a thin tulle lining inside to support its shape. The stacked height of the White slouch socks was also adjusted repeatedly to ensure it looked natural and never bulky on camera. The shooting process was very fluid and easygoing; photographers Miaodan and SAGIRI didn't make me pose stiffly in complex stances, instead encouraging me to blend organically into the space. Holding a bottle of water as an iced drink, lying across a floor cushion with legs propped on the low cabinet behind while throwing a peace sign; sitting cross-legged while gently waving a cattail leaf fan; or hugging my knees while daydreaming toward the fan spinning ahead.
Each movement seemed effortless, but during actual execution, controlling the folds of the skirt hem, the angle of leg lines, and where my gaze landed was essential to keep the frame lively and natural. Especially during the reclined shots: to capture that relaxed full-body vibe, I had to keep my core taut to hold my legs in a comfortable yet aesthetic floating curve, while managing my facial expression so the exertion wouldn't look strained. The breeze from the vintage fan wasn't strong, but the faint hum as it rotated made the entire room feel profoundly tranquil.
Lying on the tatami, breathing in the distinctive scent of woven rush grass while looking up at the ceiling and vintage objects around me brought a wondrous calm to my heart. As an avid cosplayer, I love these lifestyle-driven shoots that forgo exaggerated post-production VFX, relying purely on costume, props, and ambient space to unite the character's traits with my personal seasonal reflections. That illusion of stealing half a day of leisure amidst a hectic routine almost made me fall asleep between takes. Summer truly was ending, and all the heat, sweat, and memories of cooling off in front of a fan outside air-conditioned rooms were frozen in time through this series.
Shooting spanned from afternoon until sunset; as golden rays filtered through the curtains onto the floor, shifting chiaroscuro brought richer depth to the photos. Though the dress hems picked up a bit of dust by the end and taming the wig took considerable time, seeing that relaxed version of myself spending a drowsy summer afternoon made it all completely worthwhile. That, perhaps, is the true meaning of photography: capturing who we are right now while preserving this departing summer forever.