This time, I'm cosplaying Chiz from Neverness to Everness, who is the pink little mouse everyone often calls out. The entire gear from the wig to the props was adjusted little by little by myself. That big tail and the mechanical hair ornaments on top of the head are very heavy in details, making my neck quite strained after standing for a long time, but to restore the character's sense of lightness, I had to keep my posture tightened throughout the shoot. The wig was specially trimmed with layers, and the pink gradient displays more translucency under the studio lights without looking stiff. The weight distribution of the prop hammer was optimized so it doesn't float too much when swung, and the center of gravity control can be seen as fairly stable across the three action frames. The lighting components at the bottom of the shoes utilized magnetic buckles this time to make battery replacements convenient, and the straps of the long boots underwent double-layer reinforcement to prevent snapping during the shoot. Anti-exposure buckles were added to the skirt lining, allowing me to stretch confidently during jumping actions. The overall studio shooting process was very smooth; the lighting technician used a softbox plus side-backlight, making the pink and white primary color schemes look very clean while preserving the texture of the metal rivets. The character Chiz is actually quite special, possessing both a mechanical feel and fluffy, cute elements, with the design utilizing many conflicts between rounded lines and harsh patchworks. In terms of makeup, I weakened the sharpness of the eyeliner and used pink pearlescent shades as a base, paired with light-colored lenses in the pupils, wanting to catch that innocent yet slightly dorky gaze. Every time I restore a character with such complex styling, what I enjoy most is seeing the fusion of the character's temperament and my own interpretation in the final photos; the process is exhausting, but seeing the frames after finishing genuinely makes it feel worth it.