This time shooting Velvet from GODDESS OF VICTORY: NIKKE, the scene was intentionally chosen to be a bar space featuring retro tropical wallpaper and a wine cabinet. To fit the character's temperament, a lot of homework was done on the clothing details. The upper body is a modified halter cheongsam spliced in black and red, with pink straps along the edges and a hollow-out design on the chest that creates great visual layering. It is paired with a white ruffled small apron printed with pink lettering; the overall color scheme retains the cool vibe of the dark series while adding a bit of contrasting cuteness.
For the lower body, a pair of thin black stockings with subtle patterns was chosen, paired with black patent leather red-bottomed high heels. This combination requires special attention to displaying leg lines during shooting. I asked the photographer to try a few more angles, such as crossed legs sitting on the green marble bar counter, or one foot stepping on the ground while the other is raised. The flash of red revealed by the red-bottomed shoes when standing or lifting a foot formed a strong visual contrast with the black of the stockings, which is very eye-catching. To showcase close-ups of the shoes and the full-body proportions, I deliberately designed a few interactive actions of taking off the shoes and playing with them in my hands, which not only increased the sense of story in the frame but also broke the rigidity of regular standing postures.
The pink long straight wig and blunt bangs flattered the face shape very well. In terms of makeup, the eyeshadow and eyelashes were enhanced, paired with green-toned colored contact lenses. To match the character, red tattoo stickers were applied to the arms, and even the nails were specially painted blue to create a color clash.
During the shooting process, the use of props was also very interesting. The first standing shot holding a white clipboard and pen had a rigorous professional feel; later, it was changed to taking off half a high-heel shoe and holding it in hand, making the posture lazy and relaxed. In the fourth picture, where I leaned close to the lens and stuck out my tongue, I wanted to incorporate a bit of playfulness into the character. When adjusting postures, I made sure to open my shoulders and keep my back straight; even for a backward-leaning posture, the waist and abdomen had to remain tightened so that the captured body shape would look good and better highlight the lines. The color contrast and material gloss of this photo set are both ideal; the black-and-red color scheme and pink hair stand out exceptionally well against the green background.