This set of swimsuit photos was shot recently at an outdoor water park. When choosing this summer look for Eresh, what I valued most was the refreshing feel of the white and cyan color-blocking outfit. The pair of red bows on the twin-tails is the character's iconic feature. To maintain definition under strong light, the fluffiness of the hair strands was specially adjusted in the hair and makeup styling, ensuring it wouldn't look stiff from any angle.
Among the props prepared beforehand, this transparent inflatable swim ring with printed patterns was the crowning touch. By the outdoor pool, light refracting through the transparent material casts soft colors, complementing the color of the water, which both possesses the characteristic brightness of anime style and adds a dash of casual, real-life liveliness. This shoot was deliberately scheduled for the late afternoon. Although the sunlight was glaring, the reflection from the water surface served as a natural fill light, making the skin look fair and translucent while maximally restoring the original white and cyan colors of the costume. Speaking of the "three elements of portrait photography," it might sound like a meme, but it's actually the core of shooting editorial pictures. In today's setting, outdoor lighting is much harder to control than an indoor studio shoot; the high contrast ratio easily casts shadows on the face. Fortunately, the photographer was excellent at utilizing the sunshades and water ripples, selecting several perfect angles. For instance, the space formed by the stone pillars and the sunshade beautifully framed the main subject while eliminating the cluttered background.
Moving around in the water while holding this inflatable ring was actually a bit clumsy during the shoot, but because of this, several candid moments of sitting in the water or leaning on the ground with one hand were captured, presenting a highly natural sense of laziness instead. Although this kind of playful shooting consumes a lot of physical energy, the resulting texture is very translucent, making it a completely different experience from studio photography.
Let's talk about the makeup design. Since the character herself has a light color palette, I intentionally pursued a clear look for the base makeup. For the eye makeup, peach pink and reddish-brown were layered in transition to create that innocent yet agile eye effect. Instead of a highly saturated red, a softer coral shade was used for the lip color, making the overall tone more harmonious. To match the setting, some thought was also put into the hairstyle: the red bows form a sharp contrast with the blonde hair, and every stray strand was set with hairspray to ensure the styling held even under windy outdoor conditions.
The sense of interaction in the pool is also very important. Because it was a real water park with other tourists nearby, this background filled with the breath of life actually made me more relaxed. There was no intentional forcing of high-difficulty poses; most of the time, I was just standing in the water or playing while cradling the swim ring in my arms. Sometimes I was genuinely playing with the water while letting the lens record the most authentic moments. In terms of composition, the medium shot fully showcases the patchwork design of the metal rings and ruffles, while the close-up half-body shot clearly conveys expressions. Especially in the photos where I sat in the shallow water area, the reflection formed on the water surface gave the entire frame an excellent depth of field. The precision of the photographer's focus also added splendor to this set of photos; the flow of the wig hair strands and the texture of the wrinkles on the clothes are clearly visible, while the blurred background treatment keeps the main subject firmly occupying the visual center of gravity.
In fact, one of the biggest challenges of a Water park photoshoot is the uncontrollable environment. Besides avoiding tourists wandering into the background, we also had to cope with the constantly changing light. Even if clouds blocked the sun for just a few minutes, the overall color temperature and exposure needed to be adjusted immediately. Thanks to the photographer's snapshot speed and situational responsiveness, we were able to leave so many frames filled with rich light.
The material of the costume is also worth mentioning. The white pieced section is a slightly stretchy fabric that carries no risk of becoming see-through after being soaked in water, which is a detail carefully considered during early selection. The cyan ruffles at the waist are not just a decoration; as they float with the waves on the water surface, they bring a touch of agility and a sense of air, which is exactly the summer leisure I wanted to convey in the photos.
The red hair accessories and the cyan swimsuit form a highly comfortable color-clashing effect against the blue sky. In this set of photos, whether it's a wide shot standing and holding the swim ring or a close-up sitting on the ground splashing water, it never strays from the character's temperament. I treated this shoot as an experience of a summer character journey rather than a commercialized, formulaic photo release. This spontaneous and fulfilling play-style shooting method maximizes the natural flow of the model's emotions. Sometimes you don't even need precise focus on the eyes; capturing the gentleness of a lowered head or the agility of a raised gaze can give the photos a powerful sense of story. I hope this set can showcase the radiance and high spirits that Eresh deserves in the summer for this glimpse into a 2D cosplay daily life or Poolside photoshoot experience.