The theme of this cosplay photoshoot is set around the \"Masquerade of the Guilty\". Before the shoot, I envisioned a scene in my mind, wanting to showcase different facets of Furina's character through several contrasting props, while the core still revolves around her majesty as a judge and her inner tenderness. When I got the costume and inspected it, the deep blue coat used a fabric with subtle patterns, paired with golden borders and ornamental pieces at the collar; the overall weight and texture were spot on. The small top hat headpiece was custom-made, and the blue gem in the front has an excellent luster. Paired with the white curved hair accessory on top of the head and the blue-and-white gradient color of the wig, the makeup and styling felt incredibly substantial at first glance.
In fact, a lot of thought went into the shoot. For the first scene, we directly used a violin and a piano, aiming to create a sacred atmosphere. During the shoot, I needed to coordinate my hand gestures and eyes well so it wouldn't look stiff. The photographer helped adjust the lighting positions, using a softbox and diffuse reflectors to cast a bright, high-key light, which made both my skin tone and the blue of the costume look exceptionally clean. Later, we switched to a large blue plushie. This prop was quite big, and holding it in my arms immediately made the overall atmosphere more relaxed. During the shoot, everyone on set burst into laughter several times because the plushie's eyes were just so derpy and cute, which perfectly neutralized the previous serious tone.
The shot with the mirror was actually quite interesting. Shooting against a mirror changes the texture a bit through reflections; the golden frame paired with the blue clothing highlights a sense of opulence. There was also a part where I sat on the sofa holding a lollipop. The design of this costume itself leans towards a mix of British and Baroque styles, so matching it with plaid fabric, letter paper, and books brought out a gorgeous sense of daily life. Compared to when playing the violin, my smile under this state was much more natural.
Shooting the entire cosplay photoshoot took about half a day. The setup of the whole studio closely fit the theme; whether it was the piano, white flowers, or sheet music, they formed a unified visual direction. For the makeup, to maintain a fresh and translucent look, the base makeup was done very lightly, mainly highlighting the effect of the eyes and light blue contact lenses to give the eyes a stronger sense of focus. The asymmetrical design of the gloves was also a nice detailed highlight. The golden cuff decorations on the clothes and some silver water-ripple lines on the skirt hem also added layers to the frame. We also changed several angles for standing and sitting poses; the halo effect on the white hair was completely different depending on the angle. Although high-key lighting is prone to overexposure, after controlling the light intake, it actually captured a deity-like atmosphere similar to when stage lights shine down. The lollipop part was actually to add some playfulness; I twirled it in my hand a few times while shooting, and later simply used it to block my face, which the photographer captured perfectly. Piecing the entire set of pictures together shows a progression of emotions from cold and aloof to warm and approachable, and finally to natural. I think for a cosplay photoshoot, besides recreating the external look, what's more important is catching the character's state at that very moment. The cooperation in every part of this shoot went quite smoothly, and I'm very satisfied with the final outcome.