[Reze cosplay] Chainsaw Man convention photos: studio record of pink short hair and black skirt - Image 1
[Reze cosplay] Chainsaw Man convention photos: studio record of pink short hair and black skirt - Image 2

These convention photos have been edited and released, featuring Reze cosplay. A lot of effort went into everything from wig trimming to costume matching. To match the characteristics of this character, I chose a black-and-white color-scheme uniform. The collar of the white short-sleeved shirt features ruffles, matched with a black sleeveless vest dress on the outside. The black bow at the collar plus the black leather choker on the neck bring out a strong sense of layering in the overall styling. The lower body features black over-the-knee stockings and a pair of thick-soled black leather shoes with golden buckles. This kind of outfit is actually quite convenient for walking around the convention site, and it makes the legs look very long.
The wig is one of the key focus points prepared this time. The pink short hair has a very strong visual impact, but grooming it really tests one's patience. When I just unpacked it the night before, it was a bit frizzy. I spent a lot of time using a flat iron to layer and smooth it out, and then used hair wax to grab some natural wispy hair textures, striving for a casual yet sharp feeling in front of the lens. Paired with green-toned contact lenses, the visual center of the entire face concentrates on the eyes, which is also the key to reflecting the character's temperament.
These two photos were taken in a photo studio. Several softboxes were set up on site at the time, and the photographer was very delicate in controlling light and shadow, blurring the background and concentrating more light on the subject. In the first photo, I'm sitting on a folding ladder, with one foot stepping on a rung and the other leg hanging down naturally, holding a white daisy in my hand, with a gaze that is slightly aggressive yet gives a casual feeling. This posture forms a triangular structure in composition, which can well showcase the leg lines, and the tight feeling of the stockings has a very obvious texture under studio lighting. The second picture is a kneeling look-back posture, twisting the body backward with both hands hiding the bouquet behind the back. This posture tests the flexibility of the waist and back even more, while also making the body curves more prominent.
Many friends ask me what the difference is between convention photos and formal photo sets. Actually, convention photos value instant snapshots and interactivity more, without so much time to repeatedly adjust every single detail; you might have to change poses immediately after taking one shot. There were a lot of people at the convention site this time, and transitioning between locations was also tiring, but once standing in front of the lens, you need to quickly get into character. The character Reze has a contradictory sense of danger, charm, and even a little innocence. To convey this feeling in static photos, I tried many times with the micro-expressions of my eyes and lips. For example, the gaze must be steady but not rigid, with a slight casualness or a downward-looking angle, which yields a better effect. This outfit paired with stockings also resonated with many fellow fans at the convention. Everyone gathered together to exchange thoughts on outfits and props, and the atmosphere was exceptionally good.
Being able to present this texture in the photos is also thanks to the photographer's patient guidance. When shooting in the studio, sometimes to capture a perfect angle, we needed to constantly adjust the position of the ladder and the angle of the lighting. The white daisy used as a prop also played a great role in color embellishment. Against the dark background, the white flowers and the character's pink hair formed a stark visual contrast. Convention photos record the true state of that exact moment; they don't require overly deliberate staging, but rather internalize the character settings into one's habitual movements to showcase them. Overall, this matching process from makeup and styling to shooting gave me more insights into camera performance.