The shooting of the Delta Force Mai Xiaowen red-skin styling this time was chosen to be conducted in the studio of @Star Manga Pictures. Since we needed to shoot a landscape blockbuster, we put a lot of effort into the scene arrangement to support the frame. The background was a black wire mesh frame, hanging with simulation firearms and graffiti-covered newspapers, and the ground was scattered with yellow-and-black warning tape, industrial oil drums, and old tires, creating a typical wasteland tactical style overall. The structure of this costume is very complex; the main body is a short black leather top, paired with a bright red metallic-textured pleated fabric, with dark blue feather decorations spliced on the shoulders, and tactical straps, leg pouches, and metal thigh rings at the waist. The wig is silver-white short hair with red mechanical horn shapes on both sides. To ensure clear outlines from all angles in front of the lens, I repeatedly combed and adjusted the wig before shooting. The makeup focused on emphasizing the outline of the eye makeup and red contact lenses to get close to the character's stern and cold feeling. Photography teacher Yuji Shize has extremely precise control over the lighting, using cool ambient light on the grid and metal props to form a high-contrast tough texture, while using warm light to outline the contours of the costume so that the black leather does not appear dull. The use of a wide-angle lens gives the frame a strong sense of perspective. In terms of action design, I tried postures such as kneeling on one knee, sitting on a red scaffolding ladder, and half-lying looking up. The one sitting sideways on the ladder is my favorite; the leg lines stretch out naturally, showcasing the pairing of the thigh rings, tactical shorts, and black platform short boots very well. Because the long sword and simulation gun both have a certain weight, it was necessary to constantly adjust the holding posture and strength during the shooting process to ensure the actions conform to tactical logic while having visual impact. The ground inside the studio is relatively hard, and the kneeling and half-lying actions required core strength support; it was indeed a bit tiring after a few shots, but seeing the light-and-shadow texture of the finished photos made it completely worth it. The communication throughout the process was smooth, and thanks to the photography teacher and the studio staff for their cooperation. The overall style of this set of pictures leans toward a hardcore tactical style, and I personally really love this visual expression with an industrial feel and combat atmosphere, hoping to bring some fresh visual experience to everyone. In the lighting setup link, we tried multiple angles and finally determined the plan with cool blue as the main tone, partially supplemented by warm orange fill light, which can maximize the highlighting of the bright red glossy material on the clothes. When shooting, because the angle was lower, I needed to pay attention to the extension of the neck and spine to avoid appearing cramped in the lens. Holding the long sword prop also requires skill; wrist strength is needed to make the blade look weighty without appearing stiff. The indoor temperature was relatively cool, but due to the airtight clothing material, coupled with continuous dynamic adjustments, the physical exertion was greater than expected. After shooting each group, I would quickly check the details of the wig edges and neckline. For the rhythm of the actions, we unified the standard, trying to make every sword swing, gaze, and crouch crisp and neat without dragging feet. The finished photos this time reached the expected visual tension, and a lot of effort was also made in the restoration of details. I hope this sharing can provide some reference for friends who like tactical style, and everyone is welcome to exchange shooting insights in the comment section. Finally, thanks again to teacher Yuji Shize for the photography and Star Manga Pictures for providing the venue support.