When slipping into this red-and-white shrine maiden style outerwear, the anxiety in my heart turned into certainty instead. The design features an off-the-shoulder look; the lines from the collarbone to the neck and shoulders, paired with the white paneled neckline, look visually refreshing. The sleeves are largely white, with a ring of red zigzag patterns and delicate embroidered hidden motifs along the edges. The red-and-white color clash is highly eye-catching amidst the lush green of the bamboo forest. At the waist, I specially smoothed out that white fabric streamer to let it hang down naturally. Combined with the yellow fabric accents embellishing the neckline at the chest, the overall sense of layering actually leans toward being gorgeous.
The scene chosen for the shoot inherently carries a sense of a serene sacred ground. The vermilion torii gates and lanterns exhibit an extremely high color saturation under the intense sunlight. Especially that red wooden wall covered with wooden ema (votive tablets), it is simply a backdrop tailored specifically for this costume. I didn't intentionally force too many poses; most of the time, I just held that shide (paper streamer) prop, letting the beams of light strike my profile or the fabric of the clothing, feeling that peace belonging to the shrine's atmosphere. The moments of closing my eyes and turning around, coupled with the tension captured by the photographer using a wide-angle lens, make these frames look exceptionally vivid.
We also experimented with dynamic snapshots on a path with dappled tree shadows. The instant I lifted one leg and raised the shide high, the red-and-white skirt hem and the long ribbons all unfurled in the wind—that lightness and bounding movement were very natural, spontaneous expressions. I really love this visual style of Japanese-style photography that blends natural light with outdoor environments; it's unforced, yet can perfectly support the aura of the entire anime character. Compared to facing flashlights in a studio, I enjoy this process of merging with the character in nature much more. While squatting on the wooden floor of the corridor, sunlight filters through the gaps of the thick wooden pillars, outlining the contours of light and dark on the clothes. That texture of light and shadow is something post-processing absolutely cannot replicate. I hope everyone can feel the pleasant surprise overflowing from the screen that I felt when seeing the final photos.