Portraying One Piece's Uta at the Firefly ACG Expo this time received great feedback on-site; this post mainly compiles the outfit details and shooting concepts from that day. Starting with the costume, the white "NEW GENESIS" lettering on a black base on the tie is very faithful to the original, and the slightly stretchy fabric allowed free movement throughout the entire event. For the Red and white two-tone long hair, to easily secure the horn ornaments on the crown, I used two hair clip tracks for support and wrapped them tightly with a hairnet inside, preventing shifting or deformation in crowded convention spaces. The pink and white wing props were self-made; feather props are notoriously prone to being heavy, so to balance the weight on both sides, extra counterweight was added to the inner frame on the right, and the straps were swapped for a sturdier style with tightness specifically calibrated, effectively relieving shoulder strain during prolonged walking. For makeup, I opted for a translucent base, layering pink eyeshadow to deliberately match Uta's character color palette. The blue colored contacts brightened my complexion under natural light, and the eyeliner was slightly elongated with a subtle drop to keep my gaze focused. The shooting location was set downstairs at the Poly World Trade Center; with afternoon side-backlighting, the ground's white reflection served as an excellent fill light, ensuring even facial lighting while using the architectural lines in the background to create depth. During the shoot, main poses were gripping gestures and propping up my chin; the chin-propping shot was chosen as the cover because its angle showcased the structure on both sides of the wings very well with a balanced, centered composition. Shooting at conventions is honestly tiring, requiring quick angle-finding in crowds to dodge passersby, making this set a rather satisfying record. As a veteran cosplayer who has been in the scene for years, I increasingly feel that upfront preparation dictates photo quality—such as refining wig details in advance, stabilizing prop load-bearing, and adapting camera angles to the on-site environment. The day of the convention was physically exhausting, requiring constant adjustments to hair and clothes while following the photographer's pose guidance on-site. Yet seeing the final finished photos, all the exhausting prep felt completely worthwhile; the costume and movement designs fit the character closely, and several candid captures cleanly preserved the garment's textures and the layered depth of the wings.