The interplay of light and shadow against a pure white backdrop is ideal for showcasing the translucent quality of this outfit. Shooting Xishi in the studio this time, our lighting focus was highlighting the textural layers of the costume—especially the outer semi-sheer tulle, which caught a delicate luminescent sheen under even studio lighting, forming a gorgeous contrast of light and shadow against the dark blue inner dress.
The costume features an abundance of design details, and I deliberately adjusted my poses during the shoot to accentuate the ingenuity of its tailoring. The asymmetrical hemline and the long swallowtail train at the back create an effortless, fluttering sweep whenever walking or turning around. I chose several wide, dynamic movements not only to send the skirt swirling into the air, but also to embody the character's light, agile grace from the game. The high-slit design of this outfit made posing remarkably fluid: a simple stride naturally elongated the leg lines, which, paired with the white block-heeled ankle boots, flattered the overall bodily proportions.
Immense care was invested in the headwear and accessories as well. The dark blue headband paired with blue ribbon bows and long flowing streamers on both sides proved intensely eye-catching against the minimalist white backdrop. To prevent the ribbons from appearing stiff, I let them drape naturally or flutter subtly along with my movements. The glove on my right hand connects to a silver spherical pendant, a detail that holds a commanding presence during close-ups or reaching gestures. The bracer and blue looped straps on the left arm are crafted with equal delicacy; layered together, these intricate accents never felt cluttered, instead enriching the character's dimensionality.
For hair and makeup, the classic long straight black wig with blunt bangs framed the face beautifully. In terms of eye makeup, I slightly intensified the eyeliner and eyeshadow blending to ensure the 2D anime aesthetic held up vividly on camera. In directing expressions and gaze, I strived to maintain a girlish, subtly playful demeanor rather than forcing a distant, cool look. For example, that half-crouching forward lean reaching toward the lens was designed to spark a sense of interactive connection—looking straight into the camera to project that vibrant, lively charm directly to the viewer.
The greatest advantage of shooting in a white cyc studio is the absence of distracting background clutter, locking all visual focus squarely onto costume details and bodily posture. This naturally means every movement must be executed with precision, keeping the body open, fluid, and poised. Throughout the session, I constantly communicated angles with the photographer—sometimes taking a slight low angle to stretch leg proportions, other times shooting at eye level to capture intimate eye contact. The entire process was a continuous cycle of adjusting breath, posture, and gaze, hoping these still photographs can convey the character's uniquely mysterious yet approachable charm.