This styling of Amiya from 'Amidst countless universes' turned out absolutely stunning when shot in Taotao's new studio. When I first saw this venue, the pure white sculptures and cold blue light-and-shadow immediately struck me as a perfect match for Amiya's vibe, so I reached out to Wangzai right away to book the date.
Preparing this look required extensive fine-tuning of the wig and headpieces. The brown straight hair with blunt bangs had to frame my face closely, and the dark animal ears accented with metallic star ornaments needed to be secured just right. The costume is rich in detail: a white high-neck lace shirt with cascading tiers of ruffles, overlaid with dark gray metallic pauldrons and gauntlets, while the black pleated skirt on the lower half required a petticoat beneath to hold its voluminous shape. To echo the dynamic feel of an active battle setting, for the legs I chose an asymmetrical combination featuring black leather tall boots alongside white lace socks (with Over-the-knee socks vibes), carefully calibrating the tension of the thigh straps.
The heavy weapon in my hands was quite weighty, requiring serious core engagement whenever I swung it. Wangzai was incredibly precise behind the lens; to freeze the exact instant the skirt and cape took flight, we tested several rotation speeds and sword-swing tempos. The sheer, flowing white cape revealed a gorgeous texture under the backlighting, which, paired with the angel statues around the studio, infused the entire frame with a sacred yet cool fantasy atmosphere.
Taotao's new studio has become one of my favorite indoor shooting locations recently. The white Gothic archways, intricate stained-glass windows, and symmetrical winged statues flanking the space provide incredible visual depth. Particularly when the overhead lights were turned on, interacting with the reflective flooring, standing on the steps created an ethereal, floating sensation. We made full use of the floor reflections to achieve a wonderful vertical symmetry in the composition.
To harmonize with the setting, we also made thoughtful choices with the props. The grip on the sword was micro-adjusted for each shot. For the seated pose, the skirt had to fan out neatly while the cape draped down over the shoulder to evoke an effortless yet detached presence. On the other hand, the crouching or half-kneeling stances demanded a clear sense of power, requiring not only controlled facial expressions but also ensuring that the armor and weapon wouldn't produce cluttered, harsh reflections under the lights.
What captivated me most about this outfit was the striking contrast between black and white: the sanctity of white paired with the gravity of black, perfectly reflecting the mission and hardships that the character carries. Even though navigating the marble steps in high heels while dragging the long skirt and cape was physically taxing, seeing the shots captured in the viewfinder made every second completely worthwhile. This experience gave me a deeper understanding of the character across varied alternate universe settings, and I look forward to exploring more exciting concepts next time.