Doing this outdoor shoot for Phoebe, the hardest part wasn't fine-tuning the props or fixing my makeup, but Guangdong's genuine 37-degree weather. Carrying bags of staff props, accessories, and boots onto the steps of European-style buildings, standing under the sun for just ten minutes made me feel sweat dripping down the edge of my wig. However, having chosen to create content during this Wuthering Waves creator incentive period, I had to give it my all.
For the shooting location, I selected several different European-style scenes: cloisters, fountains, and stone steps. Phoebe's white, blue, and gold color scheme is naturally eye-catching, especially under abundant sunlight where the white fabric reflects light nicely; paired with the contrasting blue bow tie and tassels, the entire frame looks vivid and bright. However, high temperature photography brings its biggest challenge: makeup longevity. I sprayed three whole layers of setting spray and had to constantly monitor if the wig was tangling due to sweat. The blue cross ornament on the wig is actually held by magnets, which easily shifts with slight movements, requiring constant adjustments during the shoot.
To make the staff look more substantial on camera, I specifically customized a version that is slightly heavier but has a solid grip. When holding the staff, to give the skirt hem some breathing room, I usually adopt a slightly angled stance. This avoids blocking the front button details of the costume while allowing the waistline to show naturally. If you want to try a similar cosplay style, pay attention to leg placement for full-body shots: extending one leg slightly forward like I did creates more tension than standing with legs together. For showcasing a white thigh-highs outfit, this natural offset also visually elongates proportions. While shooting from this angle, the photographer kept reminding me to engage my core, or else it would easily look bulky.
I am actually very sensitive to heat, but once on set, I refrained from pulling out a mini fan for fear of messing up my bangs. In the photos by the fountain, I tried keeping my arms hovering slightly to minimize skin contact with the stuffy parts of the costume, which surprisingly helped maintain the structure of the jacket. A white thigh-highs outfit easily snags in humid outdoor settings, so when going up stairs I had to walk sideways like a crab to prevent the knee area from getting scratched by the sharp edges of the steps. Though the process was extremely punishing, the bird design on the staff was indeed exquisitely detailed, casting sharp geometric shadows on the clothing under intense sunlight. To capture these light and shadow layers, we waited in the cloister area for nearly an hour, feeling dizzy from the sun countlessly along the way.
Especially for the set shot at the balcony, I am actually slightly afraid of heights, but for the composition, I stood right next to the curved stone pillar. Holding the pillar with one hand and the staff with the other, the cape on my shoulders was secured cleverly so that when the wind blew, it created fantastic dynamic motion, completely offsetting part of the outdoor mugginess. I actually realized that as long as you immerse emotion into the camera and ignore the temperature outside, the success rate for great photos becomes higher, as facial muscles won't look stiff from tension. Huge thanks to the photographer for being so patient throughout the entire process, helping me straighten out skirt folds even in such scorching conditions.
The arched porticos of European architecture are perfect for giving the subject a taller visual stature. As seen in my three-quarter profile shots, standing right at the boundary of light and shade allows the dark background corners to make the golden wig pop brilliantly. Although wearing this heavy gear left me drenched in sweat—to the point where my clothes could be wrung out when I got home—looking at the crisp details in the raw photos made it feel all worthwhile. This high-intensity summer outdoor photography experience will surely be one of my most memorable shoots for the second half of the year.