The location scouting for Cartethyia's shoot this time was very special; we deliberately found an old house with rough concrete walls. The reason for choosing this place was simple: we fell in love with that wooden-framed window capable of letting in plenty of natural light. The mottled walls and clear sunlight just happened to form a strong contrast between light and dark, making it extremely suitable for creating that quiet yet slightly sacred atmosphere.
In terms of costumes, props, and makeup, to accurately recreate the character, quite meticulous preparations were made this time. The blonde wig was pre-smoothed and styled in advance to achieve a natural, flowing feel. The headpiece part was actually quite challenging; the white branch-like hair ornament and blue embellishments, coupled with the elf ears, required continuous angle adjustments during wearing to ensure both firmness and that they wouldn't look out of place under strong light. The choice of blue contact lenses also took a long time, hoping they would appear clearer and more transparent under the sunlight. The interlaced black and white of the costume, along with the metal pendants on the chest and neck, had a great texture, but they also absorbed heat quite a bit, making it actually a bit stuffy once worn on the body.
During the shoot, we focused heavily on the use of natural light. It was around 4 PM, and the sunlight slanted inward. To make the lines of the legs and shoulders look better under the light and shadow, the photographer used a reflector outside the window to slightly fill in the light for the shadow areas. Sitting barefoot on the windowsill, the surface of the stone platform was actually a bit rough and icy cold, but for the sake of the photo results, I maintained a relatively relaxed sitting posture. The golden star ankle jewelry was specially matched, and its reflection under the sunlight happened to echo the pink flowers outside the window.
In terms of pose direction, we didn't deliberately strike too many exaggerated poses, mainly adapting to the environment. For instance, gently crossing hands or resting them on the knees, turning the head slightly, and looking naturally toward the lens with the eyes. Because the scene itself had a strong sense of storytelling, overly complex poses would instead disrupt that tranquil frame. The green plants and flowers outside the window served as the background and were slightly blurred out, which not only added color layers to the image but also allowed the visual center of gravity to fall entirely on the character.
During post-processing and retouching, I also tried my best to preserve the natural light and shadow of the raw photos, avoiding large-scale skin smoothing and color grading. I merely darkened the indoor ambient light slightly and brightened the highlight parts hitting the body, making the texture and the boundary line between light and dark a bit more pronounced. Overall, the shooting process for this set of photos went extremely smoothly, and the lighting and venue conditions gave a huge boost. I hope everyone can feel this quiet atmosphere.