This time I shot the Fate/Grand Order Jeanne d'Arc (Alter) look. This set of photos indeed took quite a long time to shoot, as there were many costume and prop details, plus setting up the live lighting and Atmosphere, making the overall final output feel quite spot-on.
Let's talk about the hair and makeup approach this time. For Jeanne d'Arc (Alter), the core lies in an aura where melancholy and elegance coexist. Silver-white wigs are actually quite hard to groom; to recreate that moonlight-like draping texture, a smooth fiber was used alongside specific combing techniques. Instead of forcing a messy look, we preserved the hair strands' natural luster. The headpiece featured black glossy material—this prop's curvature and fit place high demands on head shape, but fortunately, the final crafted effect was quite form-fitting and comfortable.
On costume design, the black and red color-blocked battle robe is probably one of the key memory points many people have for this character. We used some thick yet drapey black fabrics, guaranteeing visual impact through cutout designs on the chest and waist while adding chains as decorations. Black iron chains were indeed the finishing touch—not only restoring the original illustration, but also reinforcing the character's sense of bound and struggling fate. Wearing this outfit during shooting was actually quite heavy, especially the armor structure on the lower body; although visually very sharp, standing and moving required effort to stabilize my core, which is why most captured poses look relatively static. It's not that I didn't want to move, but the gear restricted my movement, haha.
In grasping poses and expressions, I wanted to try a slightly different feel this time. Previous versions of Jeanne d'Arc (Alter) might lean more toward madness and tsundere traits, but this card art conveys complex emotions beneath tranquility. Therefore, during the shoot, I avoided overly exaggerated expressions, focusing more on gaze interaction—slightly lowering eyelids or keeping a sense of aloofness when looking into the lens. The expression needed to portray that sense of isolated pride without appearing overly ferocious, as this version of her indeed carries a fragile vulnerability alongside gentleness.
The photographer coordinated wonderfully in light and shadow control. Overall, dark blue-purple ambient lighting was used to build an Atmosphere similar to ruins or a gothic castle, while the main front light was rendered very clear and soft without harsh shadows, cleanly capturing skin and facial details. Under these lighting conditions, leather suit textures and metallic chain reflections were presented beautifully, while highlighting the contours of my facial makeup. Regarding that white flag with black insignia, we specifically treated it as part of visual guidance during shooting. Beyond serving as a held prop, we hoped it would connect the overall composition. In landscape-oriented photos, the flag extends diagonally, coordinating with the sword blade's direction to guide viewers' gaze back to the character's face.
Prop preparation also required considerable thought. That long sword inlaid with a red gem on the hilt was a substantial physical prop. The sword's weight made swinging it somewhat challenging for a girl, so when posing with the sword, I relied mainly on my arms and shoulders to fix its position, striving to keep the blade in a straight line to ensure crisp visuals in the frame.
Regarding composition, the photographer experimented with several foreground occlusion techniques this time. For instance, bringing the sword blade close to the camera lens or utilizing stone pillars and withered vines in the scene as foregrounds enriched depth of field. This technique made photos look far less flat, adding combat tension and story narrative. Although movement range was limited, within still frames, subtle detail adjustments—such as hand placement on the hilt or body forward-tilt angles—successfully demonstrated the character's inner strength.
As someone who cosplays frequently, I value final Atmosphere immensely. The Jeanne d'Arc (Alter) look inherently possesses a noble, cool demeanor, so regarding image color and layering, we minimized cluttered colors to maintain a cold, somber base tone. You'll notice that in every photo, besides the subject, background details like dark red drapery, withered vines, and even skulls in corners seamlessly integrated into this Atmosphere without stealing the main subject's spotlight.
Honestly, every time I finish cosplaying a character with complex equipment like this, removing makeup and armor takes quite a long time and gets exhausting. But seeing the final output makes every effort feel entirely worth it. This styling not only shines on stage, but also exhibits intense visual tension in studio shoots. I believe this kind of portrayal—allowing viewers to feel the character's inner world—is where the true beauty of cosplay lies.