Before the new year, I couldn't book a studio slot for Nian and Dusk, so I completed this Spring Festival-themed night portrait outdoor shoot for Big Sister Shu first. Choosing the night grass as the shooting scene was to form a relatively pure integration with the environment, while also using external light sources to highlight the details of the costume and props.
The wig styling was quite meticulous this time; the silver-white main color paired with blue and yellow highlights gives a great gradient and sense of layers, avoiding the stiffness common in wigs. The deer horn props were reinforced with multiple layers, and the angle was repeatedly adjusted several times to ensure they wouldn't look out of place when doing turning-around actions during the shoot. Combining the elf ears with the white off-the-shoulder outfit, the overall look appears capable and fits the setting perfectly.
Managing the lighting for outdoor night shoots is actually a difficult point. On-site, we utilized a side backlight combined with a black background, aiming to brighten the three-dimensionality of the face and the reflections on the hair strands. This high-contrast lighting can quickly isolate the character from the dark environment. As for those warm yellow light spots in the background, some are natural light points in the environment, which present a dreamlike firefly-like effect after being blurred by a large aperture. To achieve that semi-enclosed composition effect in Photo 2, the photographer and I waded through the grass for a long time, letting the reeds get as close to the lens as possible to form foreground blur, so that the image retains a sense of space while letting the visual focus fall precisely on the character.
Regarding handling the camera, those shots of closing eyes, tilting the head up, and reaching upward were meant to convey a sense of serenity welcoming the solar terms and the light; while looking straight into the lens with a faint smile is closer to the tolerant side of this character's personality. The wind on the night of the shoot was pretty good; the gentle breeze blew the bangs and hair ends, bringing some dynamic candid shots, which is exactly why outdoor shooting has more charm than studio shooting.
Of course, the details of the costume and props also need to stand up to scrutiny. The golden-yellow material of the sleeve cuffs fits well with the warm tone of this Spring Festival celebration, and the bead string decorations on the wrists also show clear texture under the top light. Paired with the beige off-the-shoulder inner layer, it is neither too flimsy nor perfectly matches the character's casual temperament.
This Arknights "Joyous Gathering" themed Shu cosplay, from makeup and hair styling to lighting, can be considered a milestone interpretation of this character. In the future, I will continue to try more light and shadow combinations, slightly adjusting the stretching proportion of the environmental colors to give the image more depth. The reason I chose to post this set of photos is also because the current timing matches nicely with the sense of belonging of the character as a member of the "Sui family". Although it's a pity I couldn't shoot Nian and Dusk together before the New Year because the studio schedule was really too full, I will definitely make up for that plan after the New Year. By then, maybe I can try combining different studio scenes and forms of performance.
This night portrait outdoor shooting work, from light dispatching to prop assembly, was also a small test of my own abilities throughout the process. I hope this display of elf elements in the night can let everyone feel a unique texture different from the daytime.