Standing in this vast wasteland, one can truly feel the confusion and struggle deep within the Fourth Sister's heart. To restore the details of this costume, which is full of Eastern aesthetics, the makeup artist Hun An did an excellent job. From the intricate hair accessories to the delicate texture of the makeup, every aspect precisely captured the character's essence, giving her a realistic texture in front of the lens. Under Mo Dang's lens, we worked together to try and restore that profound questioning: "What is the world outside these mountains really like?" The post-production work is equally excellent. Through precise color toning and environmental rendering, the artistic conception of the entire scene was maximized, fitting perfectly with the grand narrative atmosphere of Black Myth: Wukong. The texture of this collaboration is top-notch, especially in the delicacy of light and shadow, where every frame seems to be telling a forgotten story. This pursuit of detail is our shared love for Eastern aesthetics. I am very happy to collaborate with such a professional team to complete this visual exploration of the character's core. I hope the work can resonate with everyone and let you feel that touch of Eastern charm in the tranquility. This is a great example of Atmospheric photography.