Bringing Britomart to life this time was truly completed under the crazy teasing of my friends. Every time I brought this set of equipment to the studio, the logistics friends who came to help couldn't help asking me why I always fixate on these niche characters instead of cosplaying something hugely popular. I could only shift my gaze away and quietly wipe my greatsword. Actually, I've always wanted to cosplay Fairy Britomart because the contrast and powerful aura she carries attracted me so much. This costume really put a lot of thought into the details; the red velvet-textured fabric paired with gold piping took quite a bit of effort to make. To recreate the metal disc on the chest and the armor textures, I struggled through several nights, cutting and sanding EVA foam piece by piece, then applying a base coat and spraying gloss lacquer. Fortunately, the final presentation didn't disappoint.
In terms of makeup, this time I tried a sharper eye makeup style. To match the elf ears and the silver-purple hair buns, the eyeliner and eyelashes were specially deepened, with exaggerated false eyelashes applied, and bright blue contact lenses were chosen to convey that otherworldly sense of distance. The metal pieces on the crown were also modified by myself, inlaid with red and blue gems, making the physical item look exceptionally textured. The prop greatsword was definitely the most headache-inducing part of the entire shoot. The size of that sword was simply too huge; handmade plus painting meant the weight was maxed out. Whether holding it with one hand or two during the shoot, it required tremendous core strength while keeping a composed facial expression. The next day after shooting, my arms literally couldn't be raised; I was completely relying on willpower. However, when the camera froze the frame, seeing the cape fly up and the sword body gleaming with metallic luster under the lights, all that hard work was completely thrown to the back of my mind.
The costume design features many hollowed-out sections. To ensure shooting results, anti-wardrobe malfunction measures had to be thoroughly taken, using plenty of double-sided tape and invisible clear straps, while also guaranteeing the freedom of movement, which placed extremely high demands on the costume's tailoring and securing during wear. The shooting venue was chosen to be a set with Roman pillars and red drapery, aiming to create an atmosphere that is both gorgeous and carries a hint of danger. That day in the studio, I wildly whipped the cape and struck all kinds of high-tension poses, and even ran over to take crazy selfies in front of the mirror after the shoot, simply because this styling and makeup photographed so amazingly well.
Facing the soul-searching questions from my logistics friends, my thought process is actually very simple: as long as it's a character you truly love from the bottom of your heart, no matter how niche or unpopular she is, being able to fully present her in front of the lens and experience her sense of power and story is more than enough to satisfy me. Niche characters need love too. Moreover, every time a 2D character is brought to life step by step—from selecting fabrics to making props, and then looking at the final photos—the process itself is immensely enjoyable.