This event photo delivery shoot for Honkai: Star Rail's Robin took about half a month from preparation to final photos. The most energy-consuming part was the pair of huge angel wings and the halo on top of the head. To capture the translucent, glowing feel at the edges of the feathers even under strong light, we attached very thin LED strip lights inside the wings. Combined with the cool tones of the hair, the overall effect looks quite light and ethereal.
The shooting day was overcast with soft lighting, which was just right for a character like Robin who naturally exudes a sense of holiness. The photographer Gu Ai is very professional in composition and light-and-shadow control. To capture the instant of flying feathers, we tried several times manually scattering feathers coordinated with the fan's angle. In the final photos, many of those white feathers and blue light spots suspended in mid-air actually fell naturally on-site, rather than being forcefully added in post-processing.
In terms of clothing, this Sacred Heart Aria corset has relatively high requirements for the waistline, requiring an assistant's help to adjust the back buckles when wearing it. The lace choker and pearl chain around the neck must fit the skin tightly without choking, otherwise they easily shift during dynamic shooting. The wig was trimmed into light purple-silver short hair with bangs, and the hair ends were given a natural fluffy treatment to avoid stiffness when waving the staff.
Regarding props, the staff decorated with purple and white wings actually has a certain weight. Holding it up with one hand while keeping a smile, your arms will start to ache after shooting more than a dozen sets consecutively. To showcase the character's gentle yet divine temperament, the gaze needed to remain steady and focused all the time, and a rhinestone decoration was dotted below the eye socket to add facial details.
The overall color tone is a typical blue-and-white cool color scheme, with the background's architectural outlines blurred to focus the visual attention on the characters and wings in the foreground. During the shoot, I would communicate with the photographer about the range of movements, such as lifting fingers slightly or the angle of a sideways glance. These tiny adjustments all affected the interaction between feathers and light in the final frame.
The whole process tested physical strength severely, but seeing the soft light-and-shadow and complete details in the finished photos, I felt that all the preliminary preparation and on-site repeated adjustments were totally worth it.