The moody, dark-toned texture finally presented in this photo set largely stems from our deliberate choice of shooting against the light.
When I first received the raw shots, I was indeed momentarily stunned—because of the heavy backlighting and deep shadows, my face was almost completely blacked out. That's why I joked, "Why is my face so dark, photographer?"
In fact, the two photographers were engaged in a battle of creative wits right from the start. The female photographer kept a close eye on my makeup, constantly emphasizing, "I will never let your makeup go to waste today." Her approach was to retain the texture and subtle shadows of the makeup as much as possible even under strong illumination. She asked me to angle my body slightly in the shadows, using faint ambient light to outline facial contours in pursuit of detail within the darkness; it's just that the final photos turned out overwhelmingly dark.
The male photographer took an entirely different stance. The moment he arrived, he declared, "I will never let your visit to this venue go to waste." The highlight of this shoot for him was entirely focused on the architectural structure. The striking geometric lines of fair-faced concrete, combined with the ground's water reflections, constructed an intensely oppressive yet orderly space. To complement this chilly visual language, he abandoned standard flat frontal lighting, utilizing natural ambient light to find angles that framed bold silhouettes.
Under these lighting conditions, a darkened face was practically inevitable. Yet I feel these extreme black shadows actually grounded the character. Such extensive dark tones not only accentuate the sharp contours of the long-handled prop and black wings, but also inadvertently emphasize the leg lines in Black stockings and the flow of the skirt, making the silhouette appear remarkably slender against the dark canvas. Especially when the wet floor cast a flawless reflection, the disappearance of facial features redirected all focus to the body's silhouette and the geometric symmetry of steel and concrete, creating a much more memorable visual than a conventional clear close-up.
The shooting process was genuinely exhausting. To ensure the minimalist framing remained strictly horizontal and vertical, the male photographer practically laid flat on the water-soaked ground, while I had to gingerly stabilize a staff taller than myself, dreading any scuffs on the prop. Meanwhile, the female photographer watched over my skirt positioning at every moment, seizing every sliver of light to guide how I turned my head so a hint of highlight could graze my cheek.
Although we ultimately chose to keep these raw shots where my face is entirely shadowed—forgoing traditional, brightly lit portraits—looking at the finished series, this unexpected twist became our greatest surprise. This was an exploration of an emotional, architectural Dark style photography aesthetic, sacrificing facial details to gain a rhythmic visual resonance. I believe this distinctive aesthetic allows viewers to feel both the character's chilly solitude and the sheer fun behind our photoshoot.