This set of client photos features Yae Miko. During the preparation phase, the biggest headache was the shape and overall texture of this nine-tails setup. The wig uses an orange-pink gradient, and I intentionally kept some stray hairs during trimming to simulate that lazy yet proud fox spirit cosplay vibe. The costume is a modified Japanese style cosplay look interwoven with red, white, and black. The purple gem pendant on the chest and the golden headpieces were hand-decorated with rhinestones and spray-painted. I repeatedly adjusted the weight balance to prevent the headpieces from shaking during the shoot.
Regarding the tail that everyone asks about the most, I chose a patchwork of two materials—long plush fabric for the outer layer and high-density foam for internal support. This ensures a fluffy feel while allowing it to bend naturally without looking stiff. The placement of the tail during shooting is actually very particular; it needs to curl by the side when crouching, and spread out when lying down, otherwise it looks like wearing a giant backpack (laughs). Putting on and taking off this gear is very time-consuming, and I had to re-arrange the overlap of the collar and sleeve covers every time we switched scenes, but seeing the finished photos makes it all worth it.
We selected five different scenes for this shoot, and my favorite is the one with the piano. The pure look of the white keys and the sheet music perfectly neutralizes the intense colors of the costume. The posture of resting my chin on my hand actually mimics the character's composed attitude of "seeing through everything." The group with tatami mats and paper lamps shifts to a different expression—the casually scattered petals are water-soluble aroma petals sprayed on site, which, combined with the warm light, makes the entire atmosphere gentle and warm. The first photo with the cherry blossom backdrop is actually a realistic studio set; the lighting effect was cast on-site, and in post-processing I only slightly adjusted the contrast, basically restoring what the naked eye saw.
There was a small interlude during the process—the outdoor ground had dew on it, and the red rope ties underneath the wooden geta clogs became very slippery after getting wet. I had to walk extremely carefully, so it took several tries for certain sitting poses to find the stantiest angle. Also, the fox mask, which was originally a prop, was placed beside me as a small decoration, which unexpectedly gave the frame a touch of mystery.
When communicating with the photographer, we unanimously decided against excessive post-processing refinement, preserving the skin's natural texture and only supplementing the rim light. After all, Yae Miko's temperament stems more from her expressions rather than looking like a porcelain doll after skin smoothing. Finally, during selection, I found that photos look best when the expressions are relaxed—there's no need to intentionally look at the lens; gazing to the side or downcast lets that sense of storytelling emerge on its own.
Actually, every cosplay feels like a character experience; you have to wear the clothes with a sense of belonging, as if "it's not borrowed." For this makeup, I used purplish-red eyeshadow to match the colored contacts, and the blush was intentionally kept very light to retain a hint of cold detachment. Going forward, I will post some behind-the-scenes and prop detail images. If you want to know about wig styling or costume patterning, feel free to leave a comment to connect. This captures my journey in anime photography and fox spirit cosplay within the world of Genshin Impact.