This shoot selected a studio setting with a heavy Chinese impressionistic style. The addition of elements like calligraphy scrolls, wooden lattices, red foliage, and a pipa was to add a sense of conflict and balance of Eastern aesthetics to the character of Blanc. The overall black and gold color scheme is extremely eye-catching under the warm-toned lighting, especially the glossy texture of the costume fabric, which presents highly vivid light and shadow transitions on camera.
Regarding this look, a great deal of thought actually went into styling the white double hair bun wig. The combination of traditional Japanese and Chinese styles for the bun, along with the black silk ribbons on both sides, makes the face look exceptionally small against the white hair. For the makeup, I specially chose a pinkish-red color scheme for the eyeshadow to neutralize the coldness of the overall black, white, and gold, adding a touch of alluring temperament. The golden lacing on the chest and the large area of dragon patterns on the cuffs serve as the visual center of the entire costume, with process details well worth a closer look.
Multiple different movements were tried during the shooting process. For instance, sitting while spreading both sleeves wide, and leaning sideways against the wooden floor while gazing into the lens. In particular, that lying perspective was actually a composition found by the photographer crawling on the ground to showcase half-body close-ups and bodily extension. Black stockings played a highly critical role in the overall pairing, not only modifying the leg shapes but also reflecting a delicate luster under the indoor warm light, turning the completion of the entire look up to a higher level, while fitting the character's inherent traits of being both elegant and slightly detached. I was constantly adjusting my position throughout the process to ensure every inch of light and shadow hit the most appropriate spot.
For the apparel part, this black-and-gold color scheme clothing utilized a very thick material with a great draping feel. Although it was quite hot during the shoot, these hardships were entirely worth it for the final visual effect. Personally, I highly like that white set with calligraphy ink traces, paired with the glossy black clothing, providing a powerful visual tension of traditional ink painting.
For the interpretation of the character Blanc, I have always hoped to blend some of my own aesthetic understandings while preserving the original settings. The modified Eastern apparel selected this time beautifully transformed the crisp coldness of an anime character into elegance within a Chinese-style context. The bun styling of the wig on top of the head and the handling of the hair ends were all to present a high cranial top effect in the frame, making the person's overall proportions look more superior.
Expression and gaze management were also highly important homework during the shoot. As you can see in the photos, I intentionally held back some smiles, using a relatively cool and confident gaze to interact with the lens, so as to better fit the gorgeous aura brought by this black-and-gold dragon pattern theme. Paired with red nail polish as an accent, it allowed the overall styling to leap with a bright warm color beyond black, white, and gold.
In this set of photos, I think the light and shadow effect of the sitting posture is spectacular, and the presentation of the black stockings under the warm light has an excellent texture. That white cloth backdrop laid with calligraphy combined with the wooden floor created a wonderful depth of field. Of course, the lying one is also one of my favorite shots; that relaxed posture combined with the black-and-gold toned skirt hem spreading out brings a lazy yet gorgeous visual impact.
This photoshoot record documents the complete state of this shoot, hoping to transmit the unique charm of this styling through the photos.