[Aether and Lumine Cosplay] Genshin Impact Twins Client Photoshoot: Dual Presentation of Red Velvet Set and White Studio - Image 1
[Aether and Lumine Cosplay] Genshin Impact Twins Client Photoshoot: Dual Presentation of Red Velvet Set and White Studio - Image 2
[Aether and Lumine Cosplay] Genshin Impact Twins Client Photoshoot: Dual Presentation of Red Velvet Set and White Studio - Image 3
[Aether and Lumine Cosplay] Genshin Impact Twins Client Photoshoot: Dual Presentation of Red Velvet Set and White Studio - Image 4
[Aether and Lumine Cosplay] Genshin Impact Twins Client Photoshoot: Dual Presentation of Red Velvet Set and White Studio - Image 5
[Aether and Lumine Cosplay] Genshin Impact Twins Client Photoshoot: Dual Presentation of Red Velvet Set and White Studio - Image 6

This client photoshoot features the twins Aether and Lumine. In the preparation phase, we did a comprehensive hair and makeup setup at HoYo Wonderful House. The costumes were custom-made by a renowned maker; the waistband, cape, and shoulder armor were treated with an exceptionally well-executed weathered gold texture, and the leather straps on the legs combined with the gold decorations on the boots carry a real sense of weight in front of the lens. The matching wigs and makeup were handled by an expert transformation makeup artist. For Aether's signature ahoge (cowlick) and braid in the game, specific styling and holding treatments were applied, with extra internal support pieces added to withstand several high-energy dynamic movements. For the makeup, earth-toned eyeshadows were used to deepen contours, paired with eyeliner and false eyelashes to make the facial features look more defined, clear, and transparent under the camera.

The shooting process was basically paced by a posing guide. In the set with the red velvet backdrop, the background crew arranged highly rich elements, including hanging antique-style gears, red heart playing cards, and weathered gold candlesticks. The black-and-white checkerboard floor underfoot provided a strong sense of a stage. When we stood fixed in front of the red velvet curtains, the visual impact of the entire frame was exceptionally powerful. When the two of us coordinated our movements, to prevent the dual-person framing from looking stiff, the posing guide repeatedly helped us adjust our center of gravity and the intersection point of our gazes. The greatsword held in hand was fabricated by a professional prop master; its weight and grip handle feel were quite good, and the sense of momentum when swinging it was highly suited for showcasing the character's tension. Throughout the shoot, the photographer deliberately controlled the direction of the light projection, allowing the white fabric sections of the costume to show a soft warm glow at the edges, forming a stark contrast of light and dark with the golden metal pieces.

The photos from the white studio mainly aimed to present the inherent texture of the characters themselves. A pure white background is quite a test for facial expressions, so the posing guide had us try more sitting and half-squatting postures, allowing the hem of the capes and cuffs to spread out naturally. For post-processing, the photographer didn't apply overly exaggerated special effects, focusing instead on the softness of the skin tones, light, and shadow, as well as brightening the metallic parts. The overall tone was kept in a warm golden hue without disrupting the layers of the original makeup. Even during solo shooting in the white studio, the photographer had high standards for composition, repeatedly reminding me not to stand too close to the edges within the central area of the frame to facilitate subsequent layout adjustments in post-production.

When shooting that scene with the red curtains, the photographer specially emphasized the staggered placement of the playing cards and gears, paired with candlesticks of varying heights to create an illusion of a contradictory space. Although the photo of playing chess was a solo shot, the setting of sitting at a round wooden table perfectly matched the adventure atmosphere of traveling to various places. The goblet filled with liquid reflected a transparent brilliance under the lights, and the gold-foil stamping on the book spines beautifully accented the side of the frame, enhancing the cultural texture of the image.

Throughout the collaboration, whether it was the transformation makeup artist's on-set touch-ups or the photography team's stage management, the professionalism and chemistry of the team were fully palpable. Since the costumes were relatively easy to put on and take off, the rhythm of switching venues was tight and compact. Having shot through the entire set, I feel that the presentation of the characters' temperament achieved the expected results, and the coordination between the overall lighting and the scenes greatly helped enhance the quality of the final photos. For a comprehensive creative collaboration like cosplay that requires multi-party coordination, having the initial materials and preparation work in place, paired with precise execution on-site and unified post-production style refinement, allows for a highly durable and appealing set of photos. This collaboration was indeed a very comfortable photoshoot booking experience in Shanghai.