This set of Hiyuki's outfit has quite a lot of details, especially the metal buckle and strap design at the waist, coupled with the large-area red-and-white color blocking, which gave a strong visual impact at first glance. To fit the character, the wig is pure white, and it took many tries to fix the horns on top of the head in the ideal position, making it look natural while avoiding any exposed seams. The makeup focuses on the red eyeshadow and pupils; to appear cooler and more distant, shading was done under and at the corners of the eyes, and the lipstick color was also chosen as a high-saturation true red. The sleeves of the garment are very wide, requiring frequent adjustments of the shoulder position during shooting to prevent slipping, and the inner straps and the slit amplitude of the skirt hem also needed to be fixed in advance to ensure clean lines during movement. Although shooting barefoot on the wooden floor was a bit chilly, combined with the tatami and paper umbrella in the set, the atmospheric vibe instantly came alive. The shooting specifically chose a time period with strong side rim light, with sunlight filtering through the shoji door onto the profile and the red skirt, and the boundary line between light and shadow was extremely beautiful. The first set of poses leaned towards being lazy; when crossing the legs, one must pay attention to straightening the instep so that the leg extension feels better, while hand movements shouldn't be too stiff. Eventually, a posture of gently stroking the chest with one hand and naturally resting the other on the leg was chosen, which, paired with a direct gaze into the lens, gave a stronger overall aura. The second shot sitting next to the cherry blossom branch made hand gestures actually quite difficult to pose and easily look deliberate, so a posture of loosely resting hands in front of the chest was finally chosen. The gaze needed to be somewhat vacant, not staring fixedly at the lens, giving a more natural candid feel. The wide red lower skirt hem spread out on the wooden floor, forming a great color contrast with the dark screen in the background. Although I wanted to showcase the character's sense of distance, discussing composition with everyone during shooting breaks was really fun. This set of photos did not undergo excessive skin smoothing, preserving the texture of the skin and the layers of light and shadow. It can be considered a very satisfying style attempt, and I hope this photoshoot brings everyone a different visual experience.