Cosplaying Hyacinthia this time was really on a whim, but the whole preparation process was surprisingly smooth. What attracts me most about Hyacinthia's outfit is the visual impact of the red-and-white color scheme. I specially chose burgundy velvet fabric to customize the outerwear, because this material will have a low-key gloss under the exhibition hall's spotlights, which fits the character's texture very well. The gold threads and white embroidery on the edges of the clothes were not printed, but sewn on piece by piece with heavy-duty embroidery. To make the curve of the skirt hem fuller, I layered three white inner petticoats, which can prop up a very nice umbrella shape when walking.
A lot of thought was put into the wig part: the pink base color plus that touch of gradient cyan-green at the hair ends. To make the pink twin tails look fluffy and natural in front of the lens, I didn't just use a hairnet to fix the styling, but instead used wig-specific wax and styling spray for layered treatment, so that when turning quickly or jumping for candid shots, the hair strands would have great dynamics and not look like a rigid helmet. The white fluffy ears and metal halo on top of the head were also crafted by hand bit by bit, especially the little stars on the halo; to make them reflect light even in dim lighting, I applied several layers of gloss oil on the surface.
In terms of makeup, to match the character's dreamy and lively feeling, I wore light blue contact lenses, used pink and earth-toned eyeshadows for blending, and emphasized the aegyo-sal, making the eyes look bigger and rounder. The lighting on the day of the convention was actually quite mixed, and the overhead lights easily wash out makeup, so I deliberately brushed a little extra highlighter on the tip of my nose and chin. Combined with the on-site fill light effect, the skin condition looks much more translucent.
Speaking of posing, the dynamic candid shots in this set of convention photos are my favorite part. The single-leg standing jump pose in the first picture actually tests core strength and balance quite a bit. Although the staff is made of EVA foam and a lightweight wooden pole, it still has some weight with the beads and decorations on top. To make the flying angle of the skirt hem more natural, I tried single-leg jumping a few times while the photographer captured candidly from the side. The final presented image has both tension and doesn't look rigid. Hyacinthia's staff is the visual center; for the light blue pole and the blue bead on top, I specially used a semi-transparent acrylic ball, which can transmit light under illumination.
As for shoes, I chose a pair of black patent leather Mary Jane shoes, tied with black straps at the ankles, paired with red bows and golden bells that jingled as I walked. To match the exquisite feel of the overall styling, I paired it with white stockings. Although the venue temperature wasn't low, the material of the white stockings is very delicate with great fit. As long as I paid attention to avoiding friction at the edges, there were no runs even after a whole day. Running around the venue for a day, the waistband part of the dress was actually tied very tightly, and to maintain posture, I even had to be extremely careful just sitting down to rest.
But the moment I saw the final photos, all this hard work felt worth it. I repeatedly pondered Hyacinthia's gentleness and liveliness through my gaze and body language. Cosplaying a character you truly love is like having a cross-dimensional conversation with that special someone in your heart within reality. There is no need to deliberately pander to anything; just expressing your love for the character through clothing, props, and every smile and expression in front of the camera—that pure, immersive feeling is the most intoxicating part of playing cosplay.