This time I tried a special Christmas look for Hyacinthia. The red and white color-schemed skirt hem combined with plush trimmings shows a very soft texture under the studio lights. The staff in my hand was handcrafted by a prop master; the metal parts were given an antiqued finish, and the glass ball at the top creates a very dreamy light-transmitting effect. During the shoot, I deliberately kept the interactions with the staff and the gift box, wanting to convey a sense of little holiday surprises. For the makeup, Teacher Qingyan helped me adjust the eye color and the gradient of the eyeshadow, allowing the blue eyeshadow and pink hair to form a color contrast that better matches the character's lively personality. In post-processing, Huntun Zhuanmai and I worked together on the light, shadow, and background blur, softening the distinct prop lines inside the studio to make the overall frame cleaner. Hyacinthia's wig features a twintails style; I layered, teased, and set the hair ends in advance, so it could still maintain its fluffiness after putting on the hat without being squished. The shooting process was very pleasant; Weisheng Yeqing's lighting was very translucent, and the pink-toned scene coordinated beautifully with the red and white costume without making the image look overly sugary. As a holiday-oriented photoshoot, we used small daisies and a white birdcage in the prop styling to build a healing vibe, breaking away from the conventional combat state. I hope this set of photos can make everyone who sees it feel a bit of warmth in winter. A lot of thought went into preparing the costume and props, especially the gold-stamping patterns on the cloak—I am personally highly satisfied with the level of detail restoration.