This time I chose Cheshire from Azur Lane for the shoot. The main starting point was to challenge the combination of silver-grey and high-saturation cyan-blue highlights. The layering of the wig is very crucial; it needs to maintain thickness and volume while making the flow of the bangs and sideburns look soft, instead of looking stiff. To highlight the color contrast of the head during shooting, I chose a black-and-blue patched lace halter top, paired with gold Chinese standing collar frog fasteners, giving the entire look both the detailed feel of Oriental elements and the lightness of anime style.
For the makeup, I specially matched glossy blue colored contacts to echo the hair color. The eye makeup was not drawn too heavy, but instead used slender upturned eyeliner and blending on the light-colored lower eyelid to make the eyes look more agile, closer to the characteristics of feline animals. The lips were done in a matte fleshy pink, which doesn't steal the thunder of the eye makeup while maintaining an overall good complexion. Actually, for this kind of large-area off-the-shoulder clothing, how to place the angles of the arms and shoulders heavily tests one's posture; slouching the neck even a little bit will make you look listless, so during the shoot, it's necessary to constantly pay attention to tightening the shoulder blades.
The Polaroid frame composition used this time is very interesting. It naturally eliminates complex background interference, focusing the line of sight completely on the character's facial features and expressions. In the photo on the left, I looked directly into the camera with a one-handed chin-rest action, aiming to show a tranquil yet slightly playful gaze. On the right, I turned slightly sideways, pinching the black lace decoration on the shoulder with my fingers and tilting my head a bit to add a relaxed atmosphere. In both photos, the positioning of the character was maintained in the center of the frame as much as possible to avoid being cropped by the edges.
In fact, the most headache-inducing part of creating this look was the white decoration on the head. Although it can guide the visual focus to the head, one must also be careful that it doesn't mess up the top layer of the wig. During the shooting process, I was constantly adjusting the fit between the hair strands and the head ornament to ensure there was no obvious awkwardness. As for the makeup, because the overall hair color leans cold, the color of the eyebrows was also specially lightened to avoid dark color blocks disrupting the face. The blush was mainly applied at the junction under the eyes and cheeks, adding a bit of plush complexion.
From another perspective, this distinctive combination design of Chinese frog fasteners and black lace beautifully sets off the collarbones and shoulder lines. In an indoor environment with soft lighting, it can nicely outline the character's silhouette. Although the shooting poses seem simple, in order to catch the light in the eyes, it often requires continuously staring into the camera for a while; even a little fatigue will make the expression look numb. Before pressing the shutter each time, I habitually tidy up the bangs, because if even a single strand of hair untamedly floats in front of the eyeball, the visual impression of the entire photo will be significantly compromised.
The playability of this look today lies in the fact that it can express a quiet side, but can also use hand movements to add a sense of vividness. On the basis of having sufficient preparation for the costume, makeup, and props, the shooting rhythm became very smooth, without wasting time due to getting stuck on a certain step. Every casual cosplay life experience is actually a secondary deconstruction of the character's features; it's not just to restore the wig and clothes, but more importantly to convey the character's temperament to the person looking at the photo through eye contact and micro-expressions.
For me, shooting this style that is slightly sexy yet very fresh emphasizes a confident posture. No need to deliberately force a pose; as long as the costume and makeup are in place, natural movements can actually capture better results. Although these two photos only show the upper body, through the white borders of the Polaroid, they form a complete sense of a small story, hoping to let everyone feel the unique freshness and liveliness of the character Cheshire in this piece of Anime-style photography.