Today at the Firefly ACG Expo site, this Rem formal dress finally met everyone.
From fitting to on-site shooting, a lot of thought was actually put into it. The biggest difficulty of this formal dress lies in the layers of the skirt hem and the choice of fabric. In order to shoot the translucent and lightweight effect in the photos, I used multi-layered tulle and satin to overlay. At the convention site, when the lighting hits, the skirt emits a faint pearlescent sheen. The corset design on the upper body has a very strong wrapping feeling on the body shape; although it's a bit tight, it can maintain a very good posture in front of the lens, which is also a very important point for shooting large skirt hem formal dresses. The blue rose on the chest, the lace on the neck, and the strap design on the waist restored the character's clothing details as much as possible.
Regarding the action, the moment when the large skirt hem fluttered up in the second photo was actually the result of several on-site candid shots. Because the skirt hem is very large, fully expanding it in a venue like a convention requires a lot of space and good balance control. I stood on tiptoes, lifted the petticoat, and swung it several times to achieve that lightweight, drifting effect. When shooting, you need to pay attention to leg movements and the center of gravity of the upper body, otherwise it is easy to be pulled off balance by the skirt hem. The over-the-knee white stockings and platform shoes are not only for matching, but also played a very good supporting role when walking and posing.
The lighting at the convention site is relatively complex, but fortunately the photographer brought fill-light equipment, which managed to capture the blue-and-white layers of the clothes and the texture of the tulle. Overall, this styling has quite high physical demands; walking around the venue wearing such a large skirt while maintaining an elegant state indeed requires some experience and physical reserve.
In terms of makeup and styling, the trimming and styling of the blue wig, plus the headband with snowflake and star elements, echo the overall styling. The makeup emphasizes blue contact lenses in the eyes and a clear base makeup, trying to make the face not appear dull under complex ambient light.
This time at the Firefly ACG Expo, I met many friends who love this work. Everyone exchanged many views on the characters and costumes, and felt that bringing such a formal dress to the exhibition site—from clothing material selection to on-site expressiveness—is a test for the cosplayer at every single link.
A large skirt hem looks gorgeous, but wearing it to walk around is actually not easy, especially the white stockings and platform shoes require extra care on smooth concrete floors. To complete this set of photos, we found a relatively open area in the venue and quickly finished the shooting while the crowd traffic was slightly lower. Every time the skirt hem is waved, you actually have to control your breathing and muscle tension.
Overall, I am quite satisfied with the restoration degree of this formal dress's pattern. In a place with limited light and space like a convention, being able to shoot the ethereal feel of the large skirt hem and the layering of the fabric is inseparable from preliminary preparation and on-site cooperation. For friends who like the character, being able to bring the character into reality in such a tangible form is a very fulfilling thing.
I hope that in future conventions, I can try more different types of clothing designs, and record the collision of different materials and the beauty of clothing through the lens.