This set of blood-stained Rem maid outfits has finally been released. To recreate the dark post-battle vibe, a lot of thought went into preparing this outfit during the preparation stage. I tightened the waist of the original maid costume so that it could support the curve of the skirt while accentuating the waistline a bit. The bloodstains on the skirt, apron, and cuffs were not simply splashed on; they were dabbed and blended bit by bit using textile paint. The splashing effect on the edges required controlled force so that once dried, the fabric would have that realistic dried-up look.
The wig was trimmed with straight bangs, and the small pink horn on top of the head was molded from lightweight clay, making it easy to fix and not too heavy. In terms of facial makeup, the focus was on the contrasting effect of heterochromia—one blue eye and one red eye—along with battle-damaged marks painted around the corners of the eyes and neck using fake blood paste. The texture of the fake blood paste is very thick, so when painting, you need to pay attention to extending it downward along gravity, avoiding making it too regular, otherwise it looks fake.
The flail prop this time is really weighty, and the iron chain is genuine metal material. To make it look effortless when lifted in the photos, the arms actually had to be tensed with hidden strength. The surface of the black sphere was given a special matte coating, matched with pink spikes, delivering a strong visual impact. In photo 4, where I'm stepping on the flail, the shoes are platform shoes; when stepping on it, the center of gravity must be entirely placed on one foot while keeping the other foot stretched, and at the same time, the facial expression must maintain that cold yet slightly yandere state. Finding balance during the shoot was actually quite difficult.
High-key photography against a pure white background really tests one's poses, because without any obstructions, the entire visual center is on the person. I tried several poses: when lifting the chain with one hand, the shoulders should be lowered slightly, and the other hand naturally opened to form a sense of opposition. Or like in photo 3, looking back while letting the flail chain drop naturally along the leg lines, increasing the sense of extension in the picture. That contrasting vibe of Rem—being able to gently care for people while instantly entering a combat state—was the emotion I wanted to focus on expressing during this photoshoot, and I hope these captured photos can convey this dangerous yet charming trait.