Yesterday, I completed a shoot for Arknights Rosmontis "A Light Dream," and I have some thoughts I'd like to share with everyone. From the initial makeup test to selecting the venue, and then coordinating with the animal, the entire process was actually much more complex than imagined, but it also yielded many unforgettable memories.
The venue selected this time was a European castle-style photo studio, which features many grand architectural details such as arches, Roman columns, fountains, and angel sculptures. This solemn yet slightly dreamlike scene fits visually remarkably well with the blue-and-white short dress of this "A Light Dream" outfit. The details of the costume itself are highly exquisite; the light blue base skirt features many lace and patterned panels, while the large black bow at the waist and the black ruffles along the edge of the skirt hem break the monotony of pure colors, adding a touch of sharpness to the overall look. What mattered most to me was that long ribbon printed with a blue-and-black checkered geometric pattern; when the wind blew during the shoot, the ribbon presented a natural tension, increasing the fluid movement of the frame.
Since the theme is "A Light Dream," aside from the person, the animal partner this time was also highly important. Due to limitations, we couldn't arrange a bear as a partner, so we found a gentle white horse instead. The white horse looks exceptionally stunning on camera in this scene, with its snow-white coat highly unified with the colors of the fountain and castle. When I first got on the horse, I was actually a bit nervous, because I not only needed to maintain my posture but also had to adjust the horse's stance via the reins to coordinate with the photographer's snapshots. The horse was very well-behaved, pacing slowly across the artificial turf while I arranged my skirt hem and ribbons to present that light yet slightly majestic feel, which was exactly the effect I wanted.
Regarding composition, I personally adore the vertical standing shot taken by the fountain. Coordinated with the white Roman columns on the side and the flowing water in the background, placing the character right in the center of the frame not only highlights the character setting but also extends body proportions with the help of the straight lines of the columns. Due to the high exposure and translucent lighting this time, the texture of the photos is exceptionally soft, and the blue-and-white color palette on the costume looks outstandingly clean against the black-and-white auxiliary materials, giving a powerful sense of breathing room.
However, the troublesome part of this costume lies in the anti-exposure safety and the storage of personal items. Because the skirt is relatively short, I had to pay attention to the amplitude of my movements at all times. Fortunately, the black edge of the skirt hem provides a great layering cover effect. Paired with the white-soled, black-faced platform shoes and the small lace trim around the ankles, the overall visual center of gravity shifts downward, making one look very playful.
During the shoot, because we had to juggle scene transitions and the animal's condition, our pace was actually very fast; from the arched balcony to the water-feature fountain, we barely stopped. But fortunately, the final presented frames are highly ideal, preserving the crisp freshness of the character while blending in the architecture and portrait photography aesthetics of reality. This European castle environment and the animal coordination allowed me to understand this character a bit more deeply. Many times, a great work relies not just on technique—the suitability of the venue, the completeness of the costume, and the model's emotions are all highly crucial.
I hope this set of photos can bring a touch of dreamlike sensation to everyone. Every time I can bring a character from a game into reality, it is a brand-new process of exploration for me.