This photoshoot was themed around Beast Ereshkigal from Fate/Grand Order, set against a deep blue Starry sky background. Because the official design features dual axes, two prop axes were prepared; however, for a more expansive visual composition, this shot primarily highlights a profile stance holding a single weapon. The set was constructed using expansive blue nebula patterns combined with luminous background particles to evoke the imposing pressure of the Underworld. Selecting the fabric for the white sheer top took considerable time: to hold up against intense cool lighting, it needed to convey an airy lightness without being overly sheer. The lower ensemble featured form-fitting red-and-black attire paired with white thigh-high boots, layered over Black stockings with just the right opacity and sheen to ensure sleek, continuous lines under cool illumination.
The weapon prop carried considerable weight—holding this poised, upright profile stance required tightening my core and continuously balancing my center of gravity, burning far more stamina than anticipated. Photographer Yansi ooo tested numerous camera angles before settling on a dynamic tilted composition, which not only accentuated the character's commanding presence but also kept the frame lines fluid. Beyond practical studio lighting, the starry background was enhanced in post-production with rendered nebulae, requiring continuous balance across visual layers. With a cool blue key light, post-processing focused on accentuating the rim lighting along the white top while preserving shadow details across the Black stockings to prevent them from crushing into flat black.
Before shooting, I studied the character's demeanor carefully: Beast Ereshkigal carries an aloof, towering disdain, requiring a detached gaze and a composed, imperious expression. Combining blonde hair, horned headpieces, and headphone elements heavily tests facial framing, so the makeup artist tailored the palette specifically to match the cool stellar light. The studio temperature was quite low that day, and the thin sheer chiffon offered little warmth under extended bright lighting. Although the concept features dual axes, switching to polearms for varying compositions placed noticeable strain on the wrists, demanding frequent grip adjustments. Cold blue lighting on the Black stockings and white boots yielded phenomenal photographic texture, and this vision of patrolling the starry expanse left me deeply thrilled with the character's final portrayal.