From the initial decision to take on this look, preparing the costume and wig, to the final finished photos, the entire cycle was actually quite long. Especially that wide-brimmed hat adorned with sapphires and metal pendants; both the arc of the brim and the golden patterns required repeated adjustments to achieve the ideal three-dimensional sense.
The golden long hair underwent curling treatments for both front and back layers. The front bangs and sideburns needed to retain their original arcs without blocking the line of sight, while also ensuring that the flow of the hair strands appeared fluffy and smooth through the lens. At times like this, hairspray and setting products become exceptionally important.
The main material of the clothing selected navy blue velvet, paired with a white ruffled inner lining, as well as black-and-gold color scheme arm sleeves and complex metal buckles on the chest. Especially that buckle shaped like a ship's helm at the waist, which can be said to be one of the visual centers of the entire look. This kind of material patching and layering must be displayed in a place with good lighting to simultaneously showcase the metallic luster and the weight of the velvet.
For makeup, to match the overall retro glamorous style atmosphere, the eye makeup selected blue-gray eyeshadow to echo the tones of the clothes, while emphasizing the density and curl of the eyelashes to make the gaze look deeper. The lip color selected a gentle rose bean paste shade to neutralize the overly harsh contours.
Although the photography session was highly exhausting, during the first close-up shot, the light filtering down through the soft umbrella captured the details of the face and the brim of the hat exceptionally well, yielding exactly the soft atmosphere I wanted. In the second full-body composition, a golden picture frame and black-and-white checkerboard floor tiles were used as the scene. The retro feel of the frame echoes the gold trim on the clothes, while the black-and-white floor tiles serve to suppress the overly complex colors in the overall frame, allowing the visual focus to center more on the person herself. This crouching posture actually quite tests one's balance, needing to maintain the beauty of the frame's composition while controlling the scattered position of the skirt hem.
Because the clothes are relatively heavy and combined with the volume of the hat, moving around while wearing them isn't particularly convenient. Every transition or posture adjustment requires care not to step on the skirt hem or bump into props. However, the moment I see the light and composition perfectly align in the viewfinder, all the fatigue vanishes into thin air.
Regarding the attempt at this styling, it is not only a hardcore challenge to the costume, makeup, and prop details, but also participation in a highly atmospheric visual creation. Turning a flat design into a three-dimensional visual—this process itself is the greatest charm of cosplay.