Shooting this set of Ankha-themed photos involved working through many details beforehand with the photographer, from finalizing the makeup to setting up the venue lighting. The main idea for this look was to emphasize a lazy yet mystically noble atmosphere, so I chose a set of white light-gauze exotic style outfits paired with abundant gold metal accessories and jewels to create a visual presence reminiscent of ancient Egyptian deities.
For the wig, I selected a specially trimmed bright blue wig. This hairstyle actually tests trimming skills significantly, as the edges need to present geometric layering without appearing too heavy; otherwise, pressing down on the headpiece loses the sense of lightness. The headpiece itself features contrasting gold-yellow and bright blue blocks, serving as a great color echo with the wig. For makeup, red contact lenses and warm-orange eyeshadow were intentionally used to sharpen the eyes, matching the sharp yet lazy visual feel of a cat.
On the shoot day, setting up props took up most of the time. The huge golden radial light array in the background was the visual center of the whole scene, creating an open sacred temple spatial feel alongside hanging white and gold fabrics. The carved white stone pillars and candles were the finishing touches, maxing out the temple's texture.
Many fellow cosplayers might worry whether an outfit with a certain degree of skin exposure looks monotone on camera. Actually, as long as accessories are well matched—using golden armlets, neckwear, and belts to break up large areas of white and bare skin—the visual center of gravity balances nicely. In the first set of shots, I tried a side-lying leg lift pose to highlight the beauty of the lines, but during the shoot, what surprised me even more was the scene in the second set.
A white dove on set was exceptionally friendly and naturally landed on my headpiece; in that instant, the photographer quickly captured the moment. The arrival of the white bird gave the originally static studio shoot an instant sense of breath and vitality, perfectly matching the peaceful, sacred image of the Egyptian cat deity, Ankha, that we wanted to convey. Additionally, the phantom blur of another white dove flapping its wings past the right side of the frame added dynamic tension to the photo.
Although this set was indoors, the lighting angles were very refined. We used warm light sources shining on the golden decorations and white gauze, creating a feeling of sunset glow illuminating the temple; skin tones shot this way looked very translucent. In exotic style portrait photography, the biggest fear is looking too dry or cheap—the metallic sheen of clothes and accessories must be handled properly. During post-editing, the highlights of the gold accessories were slightly enhanced so the luster in the final shots holds up under close inspection.
Looking at the whole set of photos, although the outfit wasn't overly complex, it demanded high control over expressions. To convey the cat's laziness and elegance, there couldn't be too many forced poses; rather, casually leaning against the starry fabric best fitted the theme. Here I must praise the texture of the starry gauze—the deep blue base shimmering with specks of light created a great environmental echo with my hair color.
Overall, this shoot was a very pleasant and efficient collaboration. The photographer excelled at light/shadow control and capturing dynamic moments, and the addition of the white doves was a rare stroke of luck. If there's an opportunity in the future, I might want to try an outdoor night shoot with the same theme, perhaps finding more inspiration regarding mysterious ancient kingdom charm under the moonlight.