This makeup test was mainly to see how Denia's makeup and wig looked in front of the camera, all shot with the default camera plus a subtle cool-toned filter. For the eye makeup, I used a pink-toned eyeshadow as the base, layered on some fine shimmer, and paired it with bright blue contact lenses to bring out a translucent yet subtly alluring vibe. I focused on defining the lower lashes and aegyo sal to make the eyes look rounder and more innocent. The base makeup aimed for a clean, porcelain finish while preserving the skin's natural texture. The wig is a blended Pink and white wig with gradient tips leaning into light lavender, and I deliberately styled the iconic ahoge at the crown. The black silhouette-figures-holding-hands hair accessory on the forehead and the gold-and-sapphire hairpin on the side are the crowning touches of the entire look, complemented by a large silver-white ribbon bow for rich dimensional layering.
For the wardrobe, I chose a pink-and-white color-blocked satin fabric with wide sleeves trimmed in gold piping. White plush accents were added at the shoulders to lend a touch of softness. The blue-and-black choker around the neck, alongside the gold chest chains and blue gem pendant, served as critical focal points; to harmonize with the overall palette, I also paired it with red gloves adorned with gems. During the makeup test, I tried out a few poses—touching a finger to my lip with one eye closed, making a finger heart, and turning sideways with an arm raised. The red gloves really pop in the camera, creating a vibrant contrast against the pink-and-white outfit. While snapping pictures, I noticed that because the outfit has quite a few metal chains and gem accessories, slightly larger movements easily catch glare, so for the upcoming outdoor shoot, I'll definitely need to watch the angles of the light sources.
Overall, there are still quite a few areas in the hair and makeup that need fine-tuning. For instance, the wig's volume still needs adjusting, and the black headpiece across the forehead needs to be anchored more firmly to prevent shifting during bigger movements. The contact lenses blended well, but the eye makeup got a bit washed out under the flash, so I'll need to deepen the crease shadows for the formal shoot. The chains on the outfit also need another check to keep them from tangling while posing. I didn't wear the full ensemble for this Makeup test selfie, mainly focusing on evaluating the head styling. Denia's outfit has so many layers—the combination of plush, satin, and metallic accessories needs more testing under different lighting conditions to pinpoint the ideal camera parameters. For the official shoot, I plan to find a moody dark backdrop and add a splash of blue fill with a light stick, which should flatter the outfit's texture even better. Touching the lip and making heart gestures felt very natural on camera, but turning sideways with an arm raised caused quite a few fabric creases that might need temporary clips to secure. Generally speaking, this makeup look fits indoor studio lighting well; for outdoors, the color temperature of the shadows will need tweaking to achieve better visual fidelity. I also tested the wear time of the makeup—after about two hours, there was no noticeable caking, so the setting spray definitely did its job.