This time shooting Arknights Shu's cosplay, we specially chose a real wheat field scene to echo the imagery of agriculture and harvest that the character herself represents. To restore the design of the National Library collaboration version to the greatest extent, I put a lot of thought into the props and clothing details. Everyone might first notice that special pair of deer horns on top of the head. This pair of horns is not an ordinary solid color; I specifically asked a handmade creator to customize them, retaining the branch-like texture from the original design, with gradient spray paint on the ends, handling the dark blue gradient transition very naturally, and the joints were also hidden, offering a great fit when worn on the head. The matching wig is also mainly white, with high-saturation bright blue highlights at the sideburns and hair ends, creating a very strong layered feel. It requires hair gel and styling spray to carefully shape that slightly outward-turned curve to make it look lively and agile. In terms of clothing, this strapless-style white dress chose a fabric with subtle hidden patterns in material, ensuring it doesn't look too thin under natural light. There are some purple and black geometric block patchwork patterns on the original design costume. To ensure accuracy, these were all made into three-dimensional patches and sewn directly onto the clothes. The most eye-catching accessory is definitely that golden geometric block necklace on the chest. Made with acrylic material and metallic painting, it achieved an effect similar to a series of gold bricks. Although it has some weight, the texture captured in photos is extremely photogenic. To match this look, the long arm sleeves were also custom-made. The golden textured print at the cuffs is very delicate, paired with wide sleeve openings, giving a full sense of flow and grace when walking in the wheat field. In makeup design, to fit the character's own temperament, I used a reddish-pink blending for the eye makeup, trying to create a cool yet divine feeling. The base makeup was kept as clean and translucent as possible, while concealer was used to emphasize the features of the elf ears, making the overall facial contour better fit the character's temperament. The lighting on the day of the shoot was truly awesome, catching right at the golden hour before sunset. Standing in the golden wheat field wearing this outfit, with the wind blowing and the sound of wheat waves matching this look, it really felt like stepping into the fields of Terra. Because this outfit has a relatively high skin exposure, shooting in an outdoor environment actually tests lighting and post-processing a lot, but the raw photos of this set turned out with great tones. The photographer's depth of field control was great, utilizing a telephoto lens to heavily blur the wheat ears in the foreground and the wheat field in the background, forming soft bokeh and completely highlighting the subject. In terms of overall color, the golden yellow of the wheat field and the white and blue on Shu formed a great contrast, which is visually very comfortable. Although this costume has a certain sense of restriction during daily wear and movement, especially since that necklace tends to poke the collarbone when lowering the head, seeing the final finished photo results makes all the preparations totally worth it. From the geometric elements of the attire to the grasp of the overall atmosphere, we tried our best to be rigorous. I really love this set of photos myself, especially the feeling of the warm yellow light hitting the wheat ears, which has a very high degree of alignment with the character's own theme.