This time, I tried a Touhou fanon interpretation of Saigyouji Yuyuko from Touhou Project. Diverging from her classic traditional kimono, I selected a modernized Japanese-Western fusion dress. The blue-and-white dress features fine woven jacquard motifs across the fabric, lending a subtle, lustrous sheen under the lights. Generous cascades of white lace and frills trim the neckline, cuffs, and hem, translating into richly layered texture on camera. The wide black underbust corset cinches the silhouette cleanly, giving the sweeping, billowy sleeves a dynamic balance of tension and flow. Her iconic cap was the centerpiece of the shoot—on the triangular ornament in front, that signature red crest was hand-painted beforehand to faithfully capture an adorable, slightly mysterious, doll-like persona.
For the hair, I opted for a short, wavy pink wig to flatter face proportions and harmonize with her ethereal presence. Rather than combing it rigidly, I styled it with hair wax to introduce airy volume and a few effortless loose strands. On the makeup front, to emphasize an otherworldly aura, I wore slightly enlarged pale circle lenses; the eye makeup centered on soft pinks and muted browns with an accentuated lowered outer lash line, paired with sweeping blush to cultivate a fragile, porcelain-doll vulnerability.
Substantial effort went into transforming the set to match the theme. The floor was laid with tatami mats, anchored by a Japanese byobu screen adorned with expansive pink blossoms and gold-leaf accents, flanked by wooden lattice partitions and hanging purple wisteria vines. Arranged across the low table were calligraphic scrolls, a slender ceramic vase, and a petite tea set, with a glowing paper lantern illuminating the right corner. To heighten the surreal, spectral presence of the Saigyou Ayakashi, we released white fog during the shoot. The mist not only added layered atmospheric depth but also diffused the strobes into an ultra-soft glow, harmonizing with the sheer blue-and-white drapes for an intensely dreamy visual.
For pose choreography, we had extensive creative discussions with photographers Akiyama Kai and Weisheng Yeqing. We explored variations: seated before the table partially concealing the face behind a folding fan, resting cheeks gently on both hands, and holding a calligraphy brush as if lost in writing. Holding the purple printed folding fan introduced vibrant chromatic contrast while gracefully guiding the viewer's focal path. Sitting on the tatami in White stockings and black Mary Janes required maintaining an upright back with naturally extended legs, ensuring that whether captured from high-angle or eye-level perspectives, both the dress's tiered volume and elongated visual proportions were impeccably preserved. In post-processing, we subtly lowered the overall exposure to enrich the mood and deepen the pinkish-purple dreamscape.