This time, I chose Reimu Hakurei from Touhou Project as the subject for the shoot. The costume was custom-made by Teacher Xiang—a blue-and-white Lolita dress layered with multi-tiered ruffles and lace. The petticoat was substantial, lending incredible dynamic movement to the skirt hem while walking, though turning around in cramped quarters was quite tricky. I did the makeup myself, which certainly can't compare to a professional makeup artist; especially when applying eyeliner, the criss-cross positioning of the false lashes was tough to control, resulting in a slight asymmetry between both eyes. Fine-tuning the eye shape had to rely on post-processing liquefaction; frankly, if the proportions aren't dialed in carefully, it easily looks stiff and affects the overall expression. Just as I mentioned, the post-processing adjustments were dialed up quite high this time—heavy retouching is practically a compromise with one's own perfectionism. I mainly refined the facial definition, painted shadows across the face using 50% gray layers, and smoothed away all facial blemishes. The location was a classic Japanese garden, where the pebble-lined stream and wooden corridors exuded great ambiance, making it perfect for Japanese style photography, though stepping on the stones hurt quite a bit. When shooting Photo 5, I sat on the edge of a bench, and the photographer joked while pressing the shutter that even Gensokyo had gotten connected to running water and electricity! The clash between cold modern architecture and the character was surprisingly fun, serving as a charmingly quirky, gap-moe interpretation of the lore. To nail Photo 1 and capture the dynamic flutter of the skirt hem, I balanced on one foot across the pebbles multiple times. The stones were jagged and slick, requiring intense core engagement to steady my center of gravity; I nearly slipped, and my knees still ache slightly. The wig was also more difficult to manage than expected; the slightest breeze would disrupt the bangs and side locks, requiring repeated combing and setting spray during shooting breaks. For post-processing, the overall tone leans into soft, cool hues, focusing on adjusting environmental contrast and using the blurred foreground of lush green leaves to establish visual depth, while editing out unsightly clutter and power lines in the background. Because the petticoat was so voluminous, the seated pose in Photo 5 required deliberately controlling the thigh angle—both to prevent crushing the skirt folds and to ensure smooth leg lines. I also added a touch of soft glow in the final edits to recreate that crystal-clear, ethereal 2D atmosphere. Capturing a pure 2D outdoor set like this really puts physical stamina to the test. Had the temperature been any higher, such an elaborate, bulky costume would have had me drenched in sweat, but thankfully the weather was pleasantly cool. During retouching, I also specifically enhanced the fabric texture of the skirt to keep it looking tangible and real. Here's a tip from my retouching workflow: for complex lace and prints like those on large skirts, retaining moderate texture looks far more sophisticated than over-smoothing. Dressing up and shooting this piece gave me a deeper connection to the character. Thanks to everyone's seamless collaboration, the shoot wrapped successfully, allowing me to truly experience a slice of Gensokyo life in reality.