Upon receiving this set of convention photos from the venue, my first impression was that the atmospheric feel presented by this pink, white, and cyan-blue interwoven color scheme under the highlights of two crossed pink neon light tubes indeed exceeded expectations.
Honestly, the lighting at exhibition venues is usually quite chaotic. Hard light sources hitting light-colored fabric and resin wigs can easily cause overexposed reflections. However, the pink light used this time beautifully neutralized the cool tones of the cyan-blue hair ends in the wig, focusing the visual center on the material details of the dress. The tailoring design of the entire dress is quite sophisticated, with lace trim and double-breasted buttons adorning the chest down to the waist, combined with that ring of ruffle pleats at the cuffs, presenting rich layers in front of the lens. To ensure that the shape wouldn't fall apart during outdoor shooting and squatting poses, an extra short petticoat support was sewn inside the skirt. This way, in the dynamic pose of kneeling on one knee with arms wide open like in image three, the skirt hem can naturally spread out like a cluster of flowers instead of sticking to the thighs.
Three different angles were attempted during the shoot. The first image utilizes a mid-shot close-up composition, with slightly retracted shoulders and an arm raised upward, which, combined with the fluffy twin tails, cleanly showcases the facial expression and the bowknot at the neckline amidst the cluttered background. The second image borrows a side-angle perspective. The photographer, Teacher Xinchen, snapshot the moment I turned my head to look at the camera, where that pinkish-purple neon light tube perfectly formed a visual leading line, extending the depth of the frame. The third image is a full-body photo that I personally love very much. With the help of the white plush carpet spread on the floor and that small unicorn plush toy, it made the originally complex booth corner look clean and sharp. In this photo, the extension of the arms is the largest, and it best conveys that confident and vibrant state.
In terms of replicating the costume details, the pink twin-tailed wig was given a fluffy treatment, and that touch of mint-green gradient at the hair ends prevented the pure pink whole from being overly cloying. The hair volume was controlled moderately, ensuring both a crisp top and preventing it from tangling with the lace at the neckline when turning around. For the eye makeup, light blue lenses were chosen, paired with a slightly upturned eyeliner, ensuring the bright luster of the eyes under such strong backlighting or side-lighting environments without making the pupils look hollow.
Actually, the entire shooting process lasted for about two hours. Walking around the exhibition hall in a dress stacked with so much tulle and accessories takes quite a toll on physical strength. It required constantly rearranging the lace sleeves on the wrists, adjusting the position of the chest bowknot, and frequently touching up makeup to prevent highlight oils from causing the foundation to reflect light. However, when seeing the first image sent over by the photographer, all those actions of maintaining a smile and repeating poses in front of the booth received their reward. The original setting of this look carries an unvarnished boldness and cuteness; there's no need to deliberately force a serious or aloof expression. One just needs to immerse oneself in an emotion of "I'm here to showcase the stage" to capture that shining moment.
The convention photos occasionally reveal the booth audience and cluttered background behind, but this is precisely the charm of live shots. True cuteness and confidence can break through the real environment. Putting on this gear and standing under the neon lights, that very moment can restore the character's temperament from the work. I am very happy to record this vibrant state through this set of photos.