Today's photo set was planned and shot by myself, setting the location on an urban rooftop terrace at night. To create an authentic slice-of-life atmosphere, I brought along several large corrugated cardboard boxes, skeins of chunky yarn, and bags of dried fish snacks to build the set for this Cardboard box photo shoot. Backdropped by the glittering night lights of the city skyline, I laid down a white plush fleece blanket on the floor as a base. For the outfit, I chose a loose white T-shirt printed with the letters "OSAKANA" and blue fish graphics, featuring white drawstrings at the neckline, paired with high-waisted dark tight shorts. To add visual depth to the styling, I wore over-the-knee White stockings and accessorized with a reddish-brown leather collar. Fluffy yellow ears and a long bushy tail completed the feline demeanor of this Cat girl.
For makeup design, I focused on accentuating the lively, expressive nature of the eyes, wearing light green contact lenses. Warm brown tones were selected for eyeshadow to harmonize with the overall palette, swept with a touch of blush under the eyes to add a healthy flush. The wig was styled into light golden twin tails with softly curled ends; the bangs and side tendrils were intentionally thinned out and fluffed up to catch the evening breeze with natural, airy movement.
My camera gear was the Sony A7CR body paired with the FE 50-150mm F2 GM lens. Night shoots place high demands on lighting, so I prepared two location strobes. The key light was angled 45 degrees obliquely from the front to ensure soft, three-dimensional light across my face and body; another rim light illuminated the edges of my hair and fluffy tail from behind, cleanly separating the subject from the dark background. For the creative look, I directly selected the in-camera FL profile; this filter inherently carries a tranquil film-like tone, delivering straight-out-of-camera cooler shadows and warm highlights, which perfectly fits this high-contrast nighttime environment. I kept the aperture wide open for the most part, using shallow depth of field to melt the city lights into soft bokeh and draw visual focus squarely onto the character.
In guiding poses, I strove to return to a cat's most instinctive nature. For example, sitting inside the cardboard box with legs draped over the rim, leaning forward like a kitten that accidentally knocked over a ball of yarn; or lying back casually on the fleece blanket with yarn tangled around my legs and arms, holding dried fish snacks while giving tsundere or innocent gazes to the lens; or peeking halfway out over the edge of the cardboard box, using perspective to inject interactivity into the frame. Curling up and stretching inside a cardboard box was surprisingly taxing on core strength—especially moving around on rough cardboard in White stockings, which can easily snag, so every posture transition required utmost care.
The dried fish snacks were not only fantastic props for photos, but could also be eaten right after wrapping up—a truly practical consumable. In this set, I really love the transitions between different framing perspectives, covering wide shots, medium angles, and close-up portraits. The texture of the White stockings under the flash came out remarkably crisp and clean, while the reddish-brown collar and yellow yarn created delightful pops of color contrast in the frame. The entire shoot was relaxed and joyful without forced posturing; I simply imagined myself as a stray cat settling into a cardboard box in the urban night, effortlessly channeling the distinct charm of a Cat girl in this Kinako cosplay.