Ever since I got this Cartethyia outfit, I've been wanting to find a studio with clean lighting to shoot it. A pure grey background actually demands a lot from the garment's texture and the accuracy of the props, because if the colors lean too close to grey, the entire outfit gets swallowed by the environment. During the shoot, the lighting technician specifically provided a cool-toned high light, which brought out the reflections of the halo on my head and my fine golden hair, making the character's silhouette instantly very sharp.
Let's start with the design details of this outfit. The black base on the chest paired with the blue thorn-like cutouts was a real test of the tailor's stitching craftsmanship during production. It had to ensure that the cutouts fit the body's curves perfectly without being too tight; otherwise, it would easily deform when lifting my arms. The blue-and-white gradient long streamers on both sides are made of a relatively crisp fabric with excellent drape. When holding the sword, they sit right around the elbow area, neither blocking the camera lens nor sticking to my body.
The greatsword prop was also one of the challenges of this shoot. Although its blade has a semi-transparent ice-blue finish that looks a lot like real ice crystals when light shines through, it's actually much heavier than imagined. Posing with this sword in the studio, especially holding it diagonally with one hand or horizontally across the chest, is quite a test of wrist strength. I had to rest my wrist every few minutes of shooting; otherwise, hand tremors would cause the angle of the sword to lose its sharpness.
The thorny halo headpiece is made of very light wire and cold plastic material, so it didn't add too much weight to my head. For the elf ears prop, I specifically picked a flesh-toned one with a gradient translucent edge. Once attached to the ears and paired with the dangling small earrings, the length of my hair perfectly covered the seams, creating a very natural visual effect. To match the overall cool color palette, I also chose a pair of light blue contact lenses. Wearing them gives the eyes a hollow, aloof look, which fits the character's persona well.
Out of the entire set of photos, my favorite is actually the sitting pose in the first image. Enhanced by the high-heeled sandals, my leg lines are elongated, and with the broad royal blue trailing skirt spread across the box, the color layers are incredibly rich. Although wearing these transparent platform high heels demands a lot of core strength, keeping the insteps completely straightened, the resulting shots were definitely worth it. During the shoot, the photographer kept reminding me of the direction of my toe extension and the angle to keep my back straight. The prop sword is actually hard to position naturally in a sitting posture, so we tried leaning the sword against the side of my body, pointing the tip diagonally toward the ground, using the depth of the prop to balance out the lightness of the skirt's hem.
Something quite interesting happened with that wide royal blue trailing train. When spread out on the ground, it took up a lot of space, so I often stepped on myself when turning or adjusting my movements, and the photographer constantly had to run over to help me tidy up the skirt. However, when the light hit those blue wavy folds, the silk-like reflective texture was indeed very strong, creating a striking visual contrast with the black-and-white main color scheme.
This set of photos should be my most satisfying work recently. From styling the wig and adjusting the makeup to hauling the props and repeatedly trying out poses, every click of the shutter verified whether the previous preparations were in place. Especially for an anime style studio photoshoot with such large-scale gear, it really tests your body control. But seeing the light and shadow texture in the playback after finishing made all those sweat-soaked moments feel entirely worthwhile.
This studio photoshoot experience also gave me a more practical understanding of the character. Different clothing fabrics reflect light in completely different ways. For instance, these white-and-blue gradient streamers look extremely soft under indoor studio light, but they might appear very glaring under strong outdoor light. Therefore, choosing a suitable solid-color background studio not only maximizes the saturation of the outfit's original colors but also avoids interference from ambient light.