This time, Hirasawa Yui's classic outfit has been successfully recreated, with every step from wig trimming to costume matching meticulously fine-tuned. This outfit looks simple, but its pattern is actually quite demanding on the figure. The white lace sleeveless vest features red piping and sequined red stars, with the main highlight lying in the drawstring at the hem and the fringe design on the sides. To make the skirt hem's layering look more natural, I layered a red lace lining underneath, over which sat the multi-layered black ruffled miniskirt. This way, when walking, the red peeks through faintly, creating a rather strong color impact.
The wig processing was a difficult point. Yui Hirasawa's bob cut looks casual, but the bangs and inward-curled arc require high precision. I specifically used a hair straightener to curve the hair ends inward and slightly thinned out the bangs to avoid looking too stiff. That small yellow rectangular hair clip is an indispensable soul accessory, clipped slightly above the left bangs, which wonderfully flatters the facial shape.
To match the overall effect, the lower body selected opaque black Stockings, paired with a pair of glossy dark brown small leather shoes. Actually, black Stockings are rarely tried in daily life, but under the studio environment, Stockings can make the leg lines flow more smoothly, and paired with thick-soled small leather shoes, the overall proportions look more slender. The necklace was also specially chosen as a slender chain with two star pendants, echoing the red stars on the clothing vertically.
During the shoot, because the background was a solid light yellow, the actions didn't need to be overly complex; subtraction was applied as much as possible. With hands behind the back and body leaning slightly forward, it brought out that slightly silly-cute yet well-behaved feeling. The flat lighting on the platform was relatively even; actually, this kind of solid-color background heavily tests a subject's expressiveness, as even a slight uneven shoulder height or insufficient posture uprightness becomes very obvious in the frame. So throughout the whole process, I reminded myself to pull in my abdomen and puff out my chest, while keeping my shoulders relaxed.
I'm quite satisfied with the light-and-shadow texture of these output photos, mainly wanting to showcase the character's relaxed daily yet slightly stage-like state. The fabric of the clothing has a slight textured feel under the lighting, especially the sequined star parts, which reflect light when the angle is slightly turned. Although this outfit added many elements in details, the overall visual presentation is clean and crisp. Through this shoot, I also accumulated studio photography experience regarding uniform-class and stage-costume-class characters, especially how to use simple body language to express a character's personality against a solid-color background, which was also the effect I kept wanting to achieve this time.
Before the shoot, I repeatedly reviewed some classic scenes from the original work. Although Yui Hirasawa is a guitarist, she inherently carries that natural airhead relaxed vibe, so the expression in the eyes shouldn't be too sharp, striving as much as possible to present a defenceless, gentle feeling. On lighting, we intentionally selected a softbox to avoid heavy shadows, as we wanted to maintain the bright, crisp atmospheric vibe of the frame. Unlike some hardcore combat characters I've cosplayed before, this set didn't require figuring out how to strike cool poses; instead, it was about finding a natural everyday aura in stillness. When reviewing the raw photos, I focused on the color balance of red, white, and black, ensuring that post-processing color grading wouldn't cause the red to overflow while preserving the original white texture of the white lace. In short, although this outfit has quite a few matching elements, the final effect still achieved the freshness and high fidelity I expected.