The shooting location for this time was chosen in a well-lit pier area. Fishing boats and passenger ships were docked around, and the metal railings and concrete breakwaters formed a natural industrial and harbor background. I chose a dark blue JK uniform Sailor suit set. The top features a cropped, waist-baring design, paired with a matching pleated skirt, making the overall lines clean and crisp. The collar and cuffs are embellished with white stripes, and a light blue neckerchief is tied at the chest. To increase the sense of layering, I wore a dark blue beret, carried a retro brown leather briefcase in my hand, and paired them with white mid-tube socks and brown loafers on my feet. This outfit possesses both the youthful feel of school style and a touch of vintage flavor. Since the weather was exceptionally clear, the sunlight presented a strong directional quality. We made heavy use of this natural light during the shooting. To avoid overexposure caused by direct sunlight, I frequently turned slightly sideways or utilized the shadow of the brim of the hat, which allowed my facial features to look more three-dimensional. Meanwhile, the large-aperture lens nicely blurred out the cluttered boats and ropes in the background, making the main subject stand out more. In this set of photos, I tried a variety of poses. For instance, squatting on the metal floor with my body leaning forward slightly and my gaze staring directly at the lens; or sitting on the stone steps with my legs naturally crossed to showcase the drape of the pleated skirt; there were also moments standing on the rocks looking back across the sea. In one photo where I held my hat with one hand and slightly bent one leg, it not only showcased the cropped waist design of the clothing but also made my whole figure look lighter. There were also some candid shots, such as the wind blowing up the skirt hem or pretending to reach out toward the lens, all of which filled the frame with a dynamic feel. There was quite a strong sea breeze on the shooting day, but the sunlight was superb. I particularly love the moment captured in picture 3 where the skirt hem was flying in the wind. To shoot a natural state, I tried my best to relax myself without deliberately posing, instead searching for a vibe through small actions like touching the hat, holding the bag, and looking back. The cropped design of this outfit has a relatively high requirement for the waistline, so I also paid attention to maintaining my posture during shooting breaks. The brown briefcase served as an excellent prop, giving my hands a place to rest so they wouldn't look stiff. During the shoot, I would communicate with the photographer to try different framing scales, including full-body standing poses as well as squatting and sitting postures. The metal textures on the ground and the white stone steps were both very suitable for sitting down to shoot, providing great support points. The strong contrast of light and shadow also brought some unexpected surprises, such as the geometric feel of architectural shadows falling on the subject. Sailor suits and piers have a high degree of adaptability, and the fresh blue echoes the sea-and-sky background. For those who enjoy this kind of style, choosing the right weather and props can yield very natural effects. The dark blue appears particularly textured under the sunlight, and the colors of the overall frame are both bright and harmonious.