The preparation for this Kamen Rider Hibiki gender-bend photoshoot actually took a lot of thought right from the early stages. To restore this Kamen Rider style with strong Japanese style and monster elements, while blending feminine softness and a dark feel, the requirements for costumes and props were extremely high. To match the characteristics of Hibiki, the golden horns on the head were paired with red and black plush, the wig was chosen in a gradient blue-black, and coupled with the red patterns on the cheeks, the visual impact was maximized. The costume adopted a color-blocking design of deep blue and gold embroidery, featuring a midriff-baring design combined with wide kimono-like sleeves and a short skirt, while the golden tassels and circular buckles at the waist are particularly textured. On the legs are blue-and-gold matching shin guards with red tassels, but during the shooting, this equipment was actually not lightweight, especially wearing it for a long time to perform high-difficulty movements, which consumed quite a bit of physical energy. The prop in hand is a classic white bone skull, paired with that weapon with a metallic long handle. To create a scene fitting Hibiki's temperament, we put a lot of effort into the set design. Red torii pillars, scattered artificial cherry blossom trees, hanging paper lanterns, a folding screen with a white crane pattern, and a red oil-paper umbrella, with a red carpet featuring golden patterns laid on the ground. To enhance the atmosphere, dry ice was used on-site to create smoke. The mirror effect on the ground also brought excellent reflections, overall constructing a Japanese style fantasy stage resembling an alternate dimension. During the shooting, to capture tension-filled angles, I tried standing sword swinging, sitting staring, and low-angle upward-looking displays. That upward shot particularly tested body control and muscle exertion, as it required maintaining the balance of foot posture and body center of gravity, while also expressing a hint of lazy and cool ghost temperament. Because the lower hem of the costume is relatively short and features ribbons, special attention had to be paid to avoiding wardrobe malfunctions and the draping feel of the costume when striking poses. Fortunately, the resulting effect was truly stunning, and the leg lines and overall aura were displayed very well. The cooperation with photographer Junnian was very smooth; as a guest sister, she gave me a lot of inspiration in action guidance and atmospheric lighting. Especially the strong contrast between cold and warm light sources highlighted the cool blue background and bright red torii with great layering. Shooting this kind of large-scale scene photo set involves not only striking poses in heavy, complex clothing, but also continuously fine-tuning with the smoke machine and lighting angles. Sometimes, waiting for a suitable wisp of smoke to drift past meant holding a pose for a long time, and even repeatedly adjusting the angle of the skull in hand to achieve the most perfect composition. Gender-bend is not only a gender conversion, but also endowing the original character with new visual expression based on retaining core elements. This time, combining the characteristics of Kamen Rider Hibiki with the atmosphere of Japanese Japanese-style ghost tales—from the details of clothing embroidery to the placement of skull props, and to the smoke and lighting of the scene—attempts to explore an aesthetic expression that is both hardcore and visually high-tension. The final presented picture has both the sharpness of a tokusatsu hero and a hint of bizarre yet gorgeous Japanese flair, which is also a heartfelt attempt at stylized reshaping of this character.