The convention photos from the Chengdu Worldline comic con finally arrived. In fact, this Sakura outfit had been prepared for a long time. Because I previously saw Teacher Apple's shooting plan, I shamelessly asked to tag along for the shoot, and it turned out to be unexpectedly fitting. Sakura's white angel outfit is actually very sophisticated in its details: the layering of the skirt hem, the splicing of the outer satin and inner lace, look exceptionally photogenic under the convention's natural light. To support the pair of giant feathered wings on my back, I did some load-bearing reinforcement inside the clothing and at the shoulder straps in advance, so that while walking and shooting, they wouldn't fall off and the wings' spread shape would look great without sagging.
There were really a lot of people on the day of the comic con. The venue for Chengdu Worldline is huge, but the popular photo spots were still crowded with photographers and tourists. To ensure a clean frame, we tried to avoid the most congested central corridor, finding some background corners with modern architectural glass curtain walls and using a large aperture to blur out the crowds behind. The star part of the magic wand is made of lightweight material, so there was no need to worry about accidentally bumping into others, though holding that long handle for too long still made my arm a bit sore. I made slight adjustments to the wig, using styling spray on the bangs to ensure it didn't look too messy while walking, while retaining that fluffy texture. The pink bows on both sides were also readjusted in angle to ensure no blind spots in frontal and side shots.
The biggest difference between convention photography and studio shoots is the uncontrollability of lighting. This time it happened to be cloudy weather, and the diffuse lighting outside the comic con was extremely soft with no harsh hard shadows, making it exceptionally friendly for showcasing the texture of the white clothing and feathers. During the shoot, to match the lightness of the wings and the magical girl's liveliness, I tried some forward-leaning, looking-back, and side-sitting poses to better bring out the arc and layering of the skirt hem. On-site, I also met some fellow fans cosplaying Sakura, and everyone exchanged tips on prop-making and makeup/styling skills, which felt super happy. Although this wasn't a main photoshoot plan led by myself, being able to leave these photos behind through the genuine atmosphere of the comic con was truly a wonderful experience. I hope to have the opportunity to prepare more thoroughly next time, try out different scenes and light-and-shadow combinations, and polish the prop details even more perfectly. A comic con environment really teaches people a lot of adaptable shooting skills, and I'm looking forward to the next convention shoot. Huge thanks to the friends who helped carry the wings and tidy the skirt hem this time; the chaos behind convention photos is probably only understood by those who have experienced it.