The zipper of this combat suit is designed on the back, so putting it on and adjusting it alone took some time, but thankfully the final fit was very satisfying. The material is a Glossy bodysuit, reflecting a strong luster under the studio lighting, with red line accents and shoulder structures giving the silhouette a very sharp and capable look. The long-handled Scythe prop in hand was heavier than expected; to maintain balance and hold the weapon pose, my arm muscles were engaged throughout the entire shoot.
The pose concept was dropping to one knee with the other hand bracing on the ground, which placed high demands on leg and core strength. Since the shooting platform was rather slippery, finding the exact center of gravity was crucial to keep the high heels from sliding, which also lent more dynamic tension to the photo.
During shooting, a wide aperture was used to blur the red cross in the foreground, forming an effective framing composition that focused visual attention on the action and facial expression. The lights were set very bright, casting distinct highlights across the legs and the scythe blade, beautifully showcasing the costume's glossy texture.
Since Rei Ayanami is naturally characterized by a cool and aloof aura, facial expressions were kept minimal during the shoot, trying to keep the gaze vacant or looking straight into the lens to convey that mechanical and detached feel. The suit material is indeed prone to glare under intense light, so the photographer was constantly adjusting camera angles and light stand positions to prevent overexposed reflections. The entire shoot took over two hours; though physically demanding, seeing the overall red-and-black cool-toned Dark style ambiance in the final photos, along with the harmony between the costume and background cross, made all the on-site effort completely worth it.