This photoshoot project has actually been prepared for a long time. I mainly wanted to try combining Arknights Lemuel with the Tactical Doll style, doing a combat-themed shoot with some custom-designed elements. From wig trimming to costume matching, many adjustments were made to fit the ruin atmosphere. Especially the fixing method of the headwear and halo had to ensure no shifting even under strong winds and large body movements, which really took a lot of thought. The black tactical top adopts an off-shoulder design, paired with shorts and black stockings with ripped details, plus leg rings and knee pads, retaining the tactical functional feel while adding some sense of lines. Every time I put on that black half-face mask, matched with the red hair twintails, the character's temperament instantly changes, and my gaze naturally becomes sharp.
The firearm prop in my hand is not light in weight, and its materials and details are very solid. At the shooting location, we intentionally found abandoned concrete buildings and stairs as backgrounds. This rough industrial ruin environment, combined with the fire and smoke generated on-site, makes it particularly easy to get into character. To make the combat feel stronger, the photographer added black smoke and a spark machine in front of the lens, capturing the moment when gunpowder smoke rises from the muzzle. Because I didn't have much experience with wire-hanging or stunts, that third photo standing on the high stairs was actually a posture figured out after repeatedly finding the center of gravity. The pair of light wing effects behind me, synthesized from white geometric fragments, was added piece by piece in post-processing, matching the sparks in the environment to make the final visual effect fit that tense and slightly sci-fi atmosphere very well.
The shooting day was actually quite messy. The ruin venue was extremely dusty; just leaning slightly in black clothes covered me in dust. Coupled with having to hold a gun and do various tactical rolls and aiming poses, energy consumption was extremely fast. To capture that high-impact dive perspective of the first photo, I almost stretched my body to the limit while keeping the facial expression intact. Because this equipment has many straps and fasteners, every rest and adjustment took quite a bit of time to tidy up. However, seeing the final photos, with the light hitting the body and matching the drifting gunpowder smoke and sparks around, the atmosphere of being right at a combat scene was truly fully maxed out.
The focus of this makeup was on eye depiction. To highlight the character's visual features, the processing of eyeshadow and eyeliner was relatively bold, and paired with the mask's coverage, it actually allowed the gaze to have more focus. In fact, when portraying a tactical style, body language is more important than facial expressions. Whether it's the relaxation when holding the gun or the tension when poised to strike, both need to be precisely controlled in conjunction with the weight of the props. During shooting breaks, I also discussed many ideas about actions and composition with the photographer, hoping to show a dynamic combat process in static photos. Huge thanks to the logistics and the photographer for their hard work, eating dust at the venue for an entire afternoon to allow this photoshoot to be fully presented. As a custom-oriented attempt, there are still many details that can be further polished, and I look forward to unlocking more combat stylings of different styles in the future.