Putting on this Chinese style look of Robin, I spent an entire afternoon immersed in the studio at Yumengji Photography Studio. The purple tone of the set perfectly matches this outfit of mine. From the hanging flower branches to the combination of oil-paper umbrellas and warm-toned lanterns, the spatial layering was maximized.
A lot of ingenuity went into the costume details. The white ruffles on the upper body paired with purple patchwork and the tiny bowknot at the neckline preserve the character's recognition, while the Chinese stand-up collar and frog buttons integrate traditional elements. The high-slit hem paired with white stockings and high heels was unexpectedly easy to move in during the studio shoot, so there was no need to worry about restricted movements.
The photographer's control over light and shadow was very delicate; the feather headpiece and ear accessories look translucent in the dark-toned environment, and the wisteria flower strands along with the wooden set props add texture to the frame. When holding the round fan, I deliberately adjusted the curvature of my wrist, which, paired with the canopy and flying feather elements, is highly eye-catching visually. The difficulty of this styling actually lay in balancing the sense of gorgeousness and lightness. The material selection is sufficiently soft and light, and the hair was done in an asymmetrical updo to retain some playfulness.
During shooting breaks, I switched between several postures—from sitting to half-leaning, and from the round fan to the folding fan—with every prop placement taking its relationship with the light into account. Although the shooting process was a bit tiring, I am still very happy to get satisfying photos in the end. As a cross-style character attempt, this Chinese style Robin shoot went very smoothly, and both the studio atmosphere building and the costume detail presentation carry a beautiful charm.