This set brought to the IJOY Anime & Game Festival is one of my personal favorite presentations. Although the studio lighting and scene layout on set had quite a bit of friction with the intended vibe of the character, the final photos made me feel that all the meticulous preparation was completely worth it.
Starting with the core styling, the visual center of gravity lies in that highly recognizable hair. I specifically customized this laser rainbow gradient short wig, using a large area of transparent support material inside to lift the crown, while blending blue, purple, pink, and cyan high-light hair strands on the outer layer. Under natural light, it carries a cool tone, but once it catches strong light, it instantly refracts multi-layered phantom colors. To match this vibrant hair color, I abandoned traditional dark eyeliner for the eye makeup, opting instead to spread silver glitter and holographic sequins across the inner corners and lower eyelids, widening the negative space around the eyes to make my expression look soft and ethereal on camera.
We spent a long time working on the fabric selection for the outfit. The halter-neck top fabric features a delicate white matte knit, which fits snugly while remaining comfortable to wear. The massive bow on the back and the petal skirt hem at the bottom serve as the visual weight of the entire body. The petal skirt is entirely made of a highly transparent, slightly pearlescent rigid synthetic material, with each petal shaped into a three-dimensional fan ring, connected layer upon layer. To prevent the edges from looking detached, I added a silver reflective border along the outline of each petal, and pasted randomly distributed laser triangular shards on the inner skirt and the bow ornament. Under the lights, these shards reflect ice blue and purple light spots on the pure white skirt surface, creating a highly dreamlike and three-dimensional effect.
The shoot also brought many unexpected challenges. While this massive and multi-layered skirt looks spectacular on camera, it heavily restricted my movement; once I sat down, I could barely stand up on my own. The massive bow on the back was also quite heavy, requiring me to constantly adjust my center of gravity during breaks to keep the styling from collapsing. The silver longsword prop featured highly reflective mirror-like stickers, which could easily create overexposed hot spots under multi-light studio setups, so the photographer used a softbox to diffuse the light.
In terms of posing, I deliberately controlled my expressions and body language. The feeling I wanted to convey was a state of \"still water running deep,\" just like that gentle yet powerful vibe described in the thread. Therefore, I didn't make many large, dynamic movements, choosing instead to close my eyes with folded hands over my chest, and a firm stance pointing the longsword straight ahead. This contrasting freeze-frame wrapped up the fragility of the costume while conveying inner resilience through the props and my gaze.
Walking down the road or stopping to pose at the convention venue, this look drew a lot of shutter clicks from nearby photographers. That atmosphere of being recognized and liked made every struggle with the rigid skirt completely worth it. Through this set of convention photos, I hope what everyone remembers is not just the splendor of fabrics and colors, but the quiet, composed vitality that this styling aims to convey.