[2B cosplay] NieR:Automata: Glory to Mankind - Image 1
[2B cosplay] NieR:Automata: Glory to Mankind - Image 2
[2B cosplay] NieR:Automata: Glory to Mankind - Image 3
[2B cosplay] NieR:Automata: Glory to Mankind - Image 4
[2B cosplay] NieR:Automata: Glory to Mankind - Image 5
[2B cosplay] NieR:Automata: Glory to Mankind - Image 6
[2B cosplay] NieR:Automata: Glory to Mankind - Image 7
[2B cosplay] NieR:Automata: Glory to Mankind - Image 8
[2B cosplay] NieR:Automata: Glory to Mankind - Image 9
[2B cosplay] NieR:Automata: Glory to Mankind - Image 10

This 2B Bunny girl cosplay style was a favorite attempt in my recent studio shooting challenges. To highlight the character's characteristics in front of the pure white seamless background, I put a lot of thought into the choice of costume materials. The glossy bodysuit is extremely prone to reflection under studio strong light, so every time I adjusted my posture, I needed to repeatedly confirm the lighting angle with the photographer to avoid large areas of overexposure destroying the original leather texture of the clothes. The matched semi-transparent black stockings and black chunky-heeled Mary Jane shoes not only elongated the leg lines but also added a sense of layering to the overall visual presentation.

The silver wig on the head underwent multiple trimmings and stylings, intentionally retaining bangs that slightly cover the right eye, striving to restore the character's cool yet slightly lazy temperament. The giant black bunny ear headband is prone to shaking during shooting, especially when making big movements, requiring extra attention to neck exertion to maintain balance. The puff sleeves at the shoulders and the black feather decorations at the cuffs are considered the hardest parts to manage in the entire outfit; once the movement range is too large, the feathers easily tangle, and I spent most of the shooting breaks straightening them with a small comb.

The prop long sword occupies a heavy weight in this set of pictures. For someone not professionally trained in martial arts, wielding it with one hand or kneeling on one knee to strike a combat posture, while also maintaining facial expression management, actually has very high requirements for core strength. The sitting posture in picture four looks relatively relaxed, but without a backrest with crossed legs, the thighs and waist/abdomen needed to constantly exert hidden force. For the single-knee kneeling side-stretch action in picture seven, in order to showcase the texture of the black stockings and the stretching sensation of the legs, I tried several times to find the most stable support point. Of course, the metal carvings on the hilt of the sword indeed added a lot of hardcore combat atmosphere in front of the lens.

Remembering the famous line "Glory to mankind", I kept trying to find this feeling during the shooting process. Although everyone is most familiar with her appearance in a Gothic Lolita dress, the costume details of the Bunny girl cosplay styling are also worth pondering. The white shirt collar, black bow tie, and the white spherical tail decoration at the waist—these highly recognizable elements were restored as much as possible in front of the lens. The biggest fun of studio shooting is that even without complex real scenes, as long as the costume details are in place, paired with clean lighting, one can still enrich the character's sense of story through the texture of light and shadow.

In terms of action choreography, besides the routine standing posture adjusting bunny ears, I also added a lot of sword-holding actions. For example, the two-handed sword-gripping defensive posture, and the center-of-gravity forward lean when lifting one leg—all these body languages were meant to break the monotony and make the rhythm of the whole set of photos tighter. Under high-intensity shooting, the wig easily gets oily, and the clothes also become tighter due to sweat, but none of these affected me maintaining my state in front of the lens. Every shutter press is not only recording the current styling, but also a concrete expression of my understanding of the character. Looking at the strong visual contrast of black and white in the finished photos, I felt that the fatigue of repeatedly adjusting actions and details over the past few days all dissipated.