Shooting this aquatic set for Abigail presented a massive contrast between execution difficulty and the final visual payoff. During pre-production, the primary challenges were waterproofing preparations and lighting coordination. The water tank had to be thoroughly cleaned and the water left to settle well in advance; otherwise, suspended impurities would ruin the frame's clarity. To recreate the character's essence, I specifically chose a white lace headscarf and bandeau top. Because these fabrics easily absorb water and become heavy, underwater portions were custom-spliced. The water temperature was quite low on shooting day, causing involuntary shivering after prolonged submersion—especially when lying on my back underwater, where holding my breath while keeping facial muscles completely relaxed demanded immense lung capacity. For lighting, we utilized rim-side lighting paired with the refraction of surface ripples, focusing on preventing blown-out surface highlights. To capture floating bubbles intertwined with flower petals, we repeatedly adjusted the arrangement of greenery and petals on set. Makeup relied on waterproof foundation and eyeliner, but prolonged soaking inevitably caused minor degradation, necessitating frequent touch-ups. Regarding perspective, the physical refraction of water was harnessed to yield soft, fluid distortion along the lines of the legs and shoulders. Since the lens framed the subject directly through glass and the water surface, focusing was remarkably tricky, requiring manual assists for pinpoint precision.
The biggest hurdle was the glare on the glass plate resting on the water surface during downward angles, which obscured the gaze and facial nuances. To eliminate this reflection, we adjusted the incident angles of our light sources and draped black flags around the glass perimeter. Furthermore, water immersion exerts noticeable pressure that easily distorts facial contours; I tried subtly pressing my tongue and teeth together to maintain cheek structure while constantly ensuring stray hair strands didn't obstruct my eyes. The buoyancy of water was another issue—without anchoring, the white bandeau and headwear drifted upward freely, distorting the character's silhouette. We solved this by sewing hidden lead weights inside the garments to counteract buoyancy and keep the costume clinging naturally to the body contours. Because this Anime cosplay portrayed Abigail from Fate/Grand Order, capturing her aura required an innocent, ethereal detachment without exaggerated expressions; an occasional blink or slightly parted lips resonated far more authentically with her character. Yet holding breath underwater tenses the facial muscles, making a blank, serene expression extraordinarily difficult to maintain without relentless takes. Throughout the shoot, the prop crew stirred the surface by hand to generate organic ripple patterns while the director caught the most natural frames via burst fire. The goal was to evoke the feeling of awakening from a deep slumber submerged in water rather than mere wet-look glamour. Resetting the surface took over ten minutes each time to let the water still completely for sharp reflections; these physical constraints became organic nuances in the final cut that lent authentic realism. Ultimately, the styling and perspective captured the character's core design faithfully—seeing the drifting hair and floating white petals underwater made all the physical exhaustion completely worth it.